Allen Ruppersberg

Nato a Cleveland, Ohio nel 1944. Vive e lavora a  Los Angeles e New York.

Mostre personali dal 1990
2010  
Allen Ruppersberg, No Time Left to Start Again 2, Air de Paris, Paris, France
Allen Ruppersberg, No Time Left to Start Again, Margo Leavin Gallery, Los Angeles
Allen Ruppersberg, Greene Naftali, New York
2009 
Allen Ruppersberg, You and me or the art of give and take, Santa Monica Museum of Art, Santa Monica, CA
Allen Ruppersberg, As the Crow Flies/How I miss the Avant-garde, greengrassi, London, UK
2008 
Allen Ruppersberg, Camden Arts Centre, London, United Kingdom
Studio Guenzani, Milano (in collaborazione con Allan McCollum)
Allen Ruppersberg, Selected Works, Margo Leavin Gallery, Los Angeles, CA
2007
Alterations, Galerie Micheline Szwajcer. Anversa
2006
Photo Works 1970-1973, Margo Leavin Gallery, Los Angeles
Poetry and Rearrangemen, Galerie Martin Janda Raum Aktueller Kunst, Vienna
2005
One of Many-Origins and Variants, Kunsthalle Düsseldorf, Dundee Contemporary Arts, Dundee,
Scotland (2006), Centro Andaluz de Arte Contemporaneo, Sevilla, Spain (2006)*
Free Trade. Art and Poetry, greengrassi, London
2003
The Singing Posters, Studio Guenzani, Milano
The Singing Posters, Gorney Bravin + Lee, New York,
The New Five Foot Shelf, Frans Hals Museum, Haarlem, Olanda
2002 
Galerie Micheline Szwajcer, Antwerpen, Belgio
The New Five Foot Shelf, Galerie Erna Hecey, Lussemburgo
Allen Ruppersberg, Drawings,1973-1980,  Christine Burgin, New York,
2001
Colby College Museum of Art (Skowhegan School), Waterville, Maine
Galerie Micheline Szwaqjcer, Antwerp, Belgio
Allen Ruppersberg: The Novel That Writes Itself; Honey I Rearrange the Collection,
Margo Leavin Gallery, Los Angeles,
2000
Allen Ruppersberg: The Novel That Writes itself, ArtPace, San Antonio,
Honey, I Rerranged the Collection, Christine Burgin Gallery, New York
1999
Studio Guenzani, Milano
Allen Ruppersbrg – One Man Show, Frac Limousin, Limoges
Château de Lavigny, Lavigny, Svizzera
Honey, I Rearranged the Collection While You Were Gone, GreenGrassi, London
The Novel That Writes Itself, Institute of Visual Arts, Milwaukee, Wisconsin
1998
Letter to A Friend, Margo Leavin Gallery, Los Angeles
1997
Letter to A Friend, Portikus, Frankfurt, Germania
Allen Ruppersberg: Proofs, Frac Nord Pas-de-Calais, Dunkerque, Francia
Where’s Al?, Magasin, Centre National d’Art Contemporain, Grenoble, Francia; *
1996
Margo Leavin Gallery, Los Angeles
Larry Johnson/Allen Ruppersberg, Jay Gorney Modern Art, New York
1994
Studio Guenzani, Milan, Italy
Galerie Gabrielle Maubrie, Parigi
Galerie de Expeditie, Amsterdam
Raum für Aktueller Kunst, Vienna
Looking Backward. 2000 – 1887 Paintings, Sculpture, Drawings, Jay Gorney Modern Art, New York
1993
Linda Cathcart Gallery, Los Angeles, CA; “How to Remember A Better Tomorrow”
Jay Gorney Modern Art, New York, NY; “What was literature?”
Siste Viator, Arnhem, The Netherlands, June – October
Stedelijk Museum, Amsterdam, The Netherlands
Galerie Francoise Lambert, Milan, Italy
Situation Gallery, London, England,
1992
Frac Limousin, Limoges, France; “Personal Art II, 1974, 85, 92”
Galerie de Expeditie, Amsterdam, The Netherlands
Galerie Paul Andriesse, Amsterdam, The Netherlands; “The Difference between Analytic and Poetic Language”
Galerie Daniel Buchholz, Köln, Germany
Christine Burgin Gallery, New York, NY; “Personal Art”
1991
Stichting De Appel, Amsterdam, The Netherlands (cat.)
Galerie Gabrielle Maubrie, Paris, France; “The Myth  of Metaphor”
1990 
Richard Kuhlenschmidt Gallery, Los Angeles, CA; Installation: “Zoetrope from André Breton, Ponce de Leon and the Fountain of Youth”
John Weber Gallery, New York, NY; “How to Remember A Better Tomorrow”
Christine Burgin Gallery, New York, NY

ALLAN McCOLLUM

Nato a Los Angeles nel 1944. Vive e lavora a New York.

Mostre Personali dal 1990

2010
“Each and Every One of You,” La Salle de Bains, Lyon, France. Curated by Jill
Gasparina. November 20, 2010 – January 29, 2011.
“The Shapes Project: Shapes for Hamilton,” Clifford Gallery, Colgate University, Hamilton, New York. Curated by DeWitt Godfrey and Jesse Henderson. March 8 – March 31.
“Stop Motion,” (collaboration with Keith Edmier), Friedrich Petzel Gallery, New York. September 10 – October 23.
“Seriality: Sol LeWitt and Allan McCollum” (two person exhibition), Armand Bartos Fine Art, New York. Curated by Sarah Murkett. September 22 – October 22.
2009
“Shapes from Maine,” Friedrich Petzel Gallery, New York. January 16 – February 14.
“Allan McCollum: Works 1980-2008 — A Selection,” Luciana Brito Galeria, São Paulo, Brazil. Curated by Jacopo Crivelli Visconti. Catalog in Portuguese and English. August – September.
2008
“Allan McCollum: The Shapes Project,” Barbara Krakow Gallery, Boston, Massachusetts.
“Allan McCollum: Drawings,” Galeria Pelaires, Mallorca, Spain.
“Studio Guenzani (collaboration with Allen Ruppersperg), Milan, Italy.
2007
“The Shapes Project,” Friedrich Petzel Gallery, New York.
“Shapes,” Galerie Thomas Schulte, Berlin, Germany.
2006
“Allan McCollum, Solo 8” Musée d’art moderne et contemporain, Geneva, Switzerland.
2005
“Each and Every One of You,” Southeastern Center for Contemporary Art, Winston-Salem, North Carolina.
2004
“Your Fate,” Christine Burgin Gallery (with Matt Mullican), New York.
“Each and Every One of You,” Barbara Krakow Gallery, Boston, Massachusetts.
“Three Perfect Vehicles,” Doris Friedman Plaza, Central Park, New York. Organized by  the Public Art Fund.
“Perpetual Photos,” Friedrich Petzel Gallery, New York.
Texas Gallery (with Matt Mullican), Houston, Texas.
2003
“The Kansas and Missouri Topographical Model Project,” Grand Arts, Kansas City, Missouri. Brochure essay by Rhea Anastas.
2001
“Signs of the Imperial Valley: Sand Spikes from Mount Signal,” University Art Gallery, San Diego State University, San Diego, California. Brochure with text by Tina Yapelli.
2000
“Small World Drawings,” Barbara Krakow Gallery, Boston, Massachusetts.
“Visible Markers,” Susan Inglett Gallery, New York.
“Signs of Mount Signal,” Steppling Art Gallery, San Diego State University, Calexico, California.
“El Cerro Imposible,” Museo Universitario, Universidad Autónoma de Baja California, Mexicali, Mexico.
“The Return of the Sand Spikes,” The Imperial Valley Historical Society Pioneers Museum, Imperial, California.
“THE EVENT: Petrified Lightning from Central Florida (with supplemental didactics),” Friedrich Petzel Gallery, New York.
1999
“Visible Markers, “Galeria Massimo de Carlo, Milano, Italy.
“Allan McCollum: Visible Markers (TACK)” Borås Konstmuseum, Borås, Sweden.
1998
“Allan McCollum,” Musé d’art moderne Villeneuve d’Ascq, France. Catalog with text by Savine Faupin, in French.
“Allan McCollum,” Friedrich Petzel Gallery, New York.
“THE EVENT: Petrified Lightning from Central Florida (with supplemental didactics),” Contemporary Art Museum, University of South Florida, Tampa, Florida.
“Visible Markers,” Xavier Hufkens, Brussels, Belgium.
1997
“Visible Markers,” Susan Inglett Gallery, New York.
1996
“Fixed Intervals,” John Weber Gallery (in collaboration with Louise Lawler), New York.
“Fixed Intervals,” S.L. Simpson Gallery (in collaboration with Louise Lawler), Toronto, Canada.
“Actual Photos,” Kunstraum (in collaboration with Laurie Simmons), Munich, Germany.
1995  
“Natural Copies from the Coal Mines of Central Utah,” John Weber gallery, New York.
“Natural Copies from the Coal Mines of Central Utah,” Gallery X. Hufkens; Brussels, Belgium.
“Actual Photos,” Metro Pictures Gallery (in collaboration with Laurie Simmons), New York.
“Allan McCollum: Natural Copies,” Sprengel Museum, Hannover, Germany. Catalog with text by Dietmar Elgar, in German and English.
“Actual Photos,” Sprengel Museum (in collaboration with Laurie Simmons), Hannover, Germany. Catalog with text by Dietmar Elgar, in German and English.
1994
“Drawings,” Museum Haus Esters, Krefeld, Germany. Catalog with text by Catherine Quéloz, in French and German.
“Drawings,” S.L. Simpson Gallery, Toronto, Canada.
1993  
“Drawings,” Centre d’ Art Contemporain, Geneva, Switzerland. Catalog with text by Catherine Quéloz, in French and German.
“Allan McCollum,” Castello Di Rivara, Turin, Italy.
“Perpetual Photos,” Modulo Centro Difusor De Arte, Lisbon, Portugal.
“Plaster Surrogates,” Kohji Ogura Gallery, Nagoya, Japan.
“Drawings,” Galerie Franck + Schulte, Berlin, Germany.
“The Dog From Pompei,” Studio Trisorio, Naples, Italy.
“Two Hundred and Forty Plaster Surrogates,” Shiraishi Contemporary Art Inc., Tokyo, Japan.
1992   
“Lost Objects,” John Weber Gallery, New York.
“The Dog from Pompei, “Galeria Weber, Alexander y Cobo, Madrid, Spain.
“The Dog from Pompei,” John Weber Gallery, New York.
1991
“More Drawings,” Lisson Gallery, London, England.
“May I Help You?,” with Andrea Fraser, American Fine Arts Co., New York.
“Plaster Surrogates,” Galerie Franck + Schulte, Berlin, Germany.
1990   
“Allan McCollum,” Serpentine Gallery, London. Catalog with texts by Anne Rorimer, Lynne Cooke and Selma Klein-Essink.
“Allan McCollum,” IVAM Centre del Carme, Valencia, Spain. Catalog with texts by Anne Rorimer, Lynne Cooke and Selma Klein-Essink, in Spanish.
“Allan McCollum,” Rooseum,” Malmö, Sweden. Catalog with texts by Lars Nittve, Anne Rorimer, Lynne Cooke and Selma Klein-Essink, in Swedish and English.
“Plaster Surrogates, “Galerie Yvon Lambert, Paris, France
“Perfect Vehicles,” Galerie Fahnemann, Berlin, Germany.
“Allan McCollum,” Julian Pretto Gallery, New York.
“Drawings,” John Weber Gallery, New York.
“Perpetual Photos,” The Denver Art Museum, Denver, Colorado.
“Perpetual Photos,” Richard Kuhlenschmidt Gallery, Los Angeles, California.