Cindy Sherman

Cindy Sherman è nata nel 1954 a Glen Ridge, New Jersey. Vive e lavora a New York.

Selected One-person Exhibitions:

2016
Metro Pictures, New York *
Queensland Gallery of Modern Art, Brisbane; City Gallery Wellington, New Zealand *
Imitation of Life, Broad Museum, Los Angeles *
Sprüth Magers, Berlin
2015
Me Collectors Room Berlin / Stiftung Olbricht *
Cindy Sherman, Sammlung Goetz, Munich *
2014
Untitled Horrors, Kunsthaus Zurich, Zurich
Western New York collects: Cindy Sherman, Castellani Art Museum of Niagara University, New York, USA
2013
Untitled Horrors, Moderna Museet, Stockholm
Untitled Horrors, Astrup Fearnley Museet, Oslo
Cindy Sherman, Dallas Museum of Arts, Texas, USA
Cindy Sherman: Early Works, Contemporary Art Space/Gucci, Florence, Italy
2012
Cindy Sherman, Walker Art Center, Minneapolis
Cindy Sherman, Metro Pictures, New York
Cindy Sherman, MOMA, New York
That’s Me – That’s not me: Early Works by Cindy Sherman, Sammlung Verbund, Vienna
2011
Cindy Sherman, Sprüth Magers, London
Cindy Sherman: Works from Friends of the Bruce Museum, Bruce Museum, Greenwich, Connecticut *
2010
Untitled Film Stills, National Gallery of Iceland, Reykjavík
2009
Gagosian Gallery, Rome
Sprüth Magers, Berlin
Sprüth Magers, London
2008
Metro Pictures, New York *
History Portraits, Skarstedt Gallery, New York
2007
Sprüth Magers, London
Louise Lawler – Cindy Sherman, Studio Guenzani, Milano
Cindy Sherman, Kunsthaus Bregenz, Austria; Louisiana Museum for Moderne Kunst, Denmark; Martin Gropius Bau, Germany *
2006
Cindy Sherman, Jeu de Paume, Paris*
Kunsthaus Bregenz, Bregenz, Austria
Metro Pictures, New York*
2005
Sprüth Magers, London
Clowns, Monika Sprüht Philomene Magers, München
Guild Hall, East Hampton, New York
Cindy Sherman: Working Girl, Contemporary Art Museum, St. Luis*
2004
The Unseen Cindy Sherman-Early Transformations 1975/1976, Montclair Art
Museum, Montclair, NJ, *
Clowns, Kestnergesellschaft, Hannover *
Metro Pictures, New York
2003
Serpentine Gallery, London
Skarstedt Gallery, New York
Scottish National Gallery of Modern Art, Edinburgh
2001
Early Work, Studio Guenzani, Milano
Nikolaj Copenhagen Contemporary Art Center, Copenhagen
2000
Metro Picrures, New York
Gagosian Gallery, New York
Skarstedt Fine Art, New York, maggio-giugno
Bus Riders and Mystery Series, 1976/2000, greengrassi, London, November 2000-January
Hasselblad Center, Goteburg, Svezia
1999
Metro Picture, New York
1998
Metro Pictures, New York
II Duke Street, London
Galerie Rudolfinum, Praha
Museum of Contempor-ary art, Los Angeles (mostra itinerante)
Allegories, Seattle Art Museum, Washington
1997
Museum of Modern Art, New York
Studio Guenzani, Milano
Cindy Sherman, Museum Ludwig, Colonia
1996
Metro Pictures, New York (and 1980, 1981, 1982, 1983, 1985, 1987, 1989, 1990, 1992, 1995)
Pace Wildenstein, Los Angeles
Museum Boijmans Van Beuiningen, Rotterdam (mostra itinerante)
Museum of Modern Art, Shiga, Giappone (mostra itinerante)
Metamorphosis: Cindy Sherman Photographs, The Cleveland Museum of Art, Cleveland

*Exhibition catalogue

Selected Group Exhibitions:

2016
Photography Reinvented: The Robert E. Meyerhoff and Rheda Becker Collection. National Gallery of Art,Washington*
Nothing Personal, Art Institute of Chicago
Human Interest: Portraits from the Whitney Collection, The Whitney Museum, New York
An Imagined Museum: Works from the Pompidou, Tate and MMK Collections, Museum für Moderne Kunst, Frankfurt am Main, Germany
The Eighties – A Decade of Extremes, Museum van Hedendaagse Kunst Antwerpen, Belgium
Witness, MCA Chicago
2015
Of Images.. Strategies on Appropriation, Museum für Gegenwartskunst, Basel
Broad Museum, Los Angeles *
Last Year in Marienbad: A Film as Art, Kunsthalle Bremen *
The Feminist Avant-Garde of the 1970s: Works from Sammlung Verbund Collection, Hamburger Kunsthalle, Germany; The Photographers´ Gallery, London; Museum of Modern Art, Vienna; ZKM – Zentrum für
Kunst und Medientechnologie, Karlsruhe, Germany; Stavanger Art Museum, Norway; The Brno House of Arts, Czech Republic
America Is Hard to See, The Whitney Museum of American Art, New York
Arts & Foods. Rituals since 1851, The Milan Triennial
Queensize – Female Artists from the Olbricht Collection, me Collectors Room Berlin/Stiftung Olbricht; Museum Arnhem, The Netherlands *
The Great Mother, Fondazione Nicola Trussardi, Palazzo Reale, Milan *
Collected by Thea Westreich Wagner and Ethan Wagner, The Whitney Museum of American Art, NewYork; Centre Pompidou, Paris (2015-2017)
NO MAN’S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection / Contemporary Arts Foundation, Miami
Picasso in der Kunst der Gegenwart, Deichtorhallen, Hamburg *
Cannibalism? On Appropriation in Art, Zacheta National Art Gallery, Warsaw
Gesichter Zwischen Figur, Portrat und Maske, Neues Museum, Nurnberg
LA LA LA Human Steps, museum Boijmans Van Beuningen, Rotterdam
Matters of Pattern, Skarstedt Gallery, Chelsea
2014
To Have and to Hold, 50 Years of Marriage and Collecting Contemporary Art, The Rubell Family Collection, Miami
Bad Thoughts: Collection Martijn and Jeanette Sanders, Stedelijk Museum, Amsterdam *
Urban Theater: New York Art in the 1980s, The Modern Art Museum of Fort Worth, Texas
Manifesta, St. Petersburg, Russia
Blicke!Körper!Sensationen!Das Dresdner Wachskabinett und die Kunst, Hygiene-Museum, Dresden
Paparazzi!, Centre Pompidou-Metz, France and Schrin Kunsthalle
Saga. Island: wenn Bilder Erzählen, Kunsthalle Recklinghausen
Stanze/Rooms works from the Sandretto Re Rebaudengo Collection, Me Collectors Room, Stiftung Olbricht, Berlin
No Problem: Cologne/New York 1984-1989, David Zwirner, New York
Room Service, Staatliche Kunsthalle Baden, Baden
Traces of Modernism, Kunstmuseum Wolfsburg
Secret and Lies, Museum of Contemporary Art, San Diego
Codex, CCA WATTIS Institute for Contemporary Arts, San Francisco
2013
Eye to I… 3.000 Years of portraits, Katonah Museum of Art, New York
Light my Fire, Art Gallery of Ontario
L’oeil photographique, FRAC Auvergne, Clermont Ferrand
Looking Forward: gifts of contemporary art from the Patricia A. Bell Collection, Montclair Art Museum
Reading Cinema, Finding Words: Art After Marcel Broodthares, The National Museum of modern Art, Kyoto*
Cloud Illusions I Recall, New Galleries, Imma, Royal Hospital Kilmainham, Dublin
Woman’s World: Contemporary Views of Women, Museum of Art, Fort Lauderdale
Champs Elysées, Palais de Tokyo, Paris, France
Ritous Baroque, From Cattelan to Zurbaran, Guggenheim Bilbao, Bilbao *
Glam!The Performance of Style, Kunsthalle, Frankfurt
55th International Art Exhibition. La Biennale di Venezia, La Biennale di Venezia, Venice, Italy
Back to Earth. Von Picasso bis Ai Weiwei. Die Wiederentdeckung der Keramik in der Kust, Gerissch Stiftung, Neumüster
Think Now, Shoot Later, MCA, Chicago
Making it Up:Photographic Fictions, Victoria and Albert Museum, London
I,You,We, Whitney Museum of American Art, New York
Brillant Disguise, Contemporary Arts Center, New Orleans
Out (o) Fashion Photography: Embracing Beauty, Henry Art Gallery, University of Washington, Seattle
Liebe ist Kälter als das Kapital, Kunsthaus Bregenz, Bregenz
2012
Regarding Warhol: Sixty Atists, Fifty Years, MOMA, the Metropolitan  Museum of Modern Art, New York *
Defting Barock, KunstHaus, Zurich
The Vivisector, Sprüth Magers, London
Karen Kilimnik and Cindy Sherman – A Bigger Splash: painting after performance, Tate Modern London, UK
Reflecting Fashion, Museum Moderner Kunst Mumok, Vienna
La La La Human Steps, Instanbul Museum of Modern Art, Istanbul
2011
The Deconstructive Impulse: Women Aritsts Reconfigure the Signs of Power, 1973-1991, Neuberger Museum of Art, Purchase College, New York; Nasher Museum of Art at Duke University, Durham, North Carolina *
2010
Hyper Real, Museum Moderner Kunst, Vienna (2010-2011)
Pictures by Women: A History of Modern Photography, Museum of Modern Art, New York (2010-2011)
Decadence Now! Visions of Excess, Galerie Rudolfinum, Prague (2010-2011)
10,000 Lives, Gwangju Biennale, Korea *
Mixed Use, Manhattan: Photography and Related Practices 1970s to the present, Museo Nacional Centro de Arte Reina Sofia, Madrid *
Skin Fruit: Selections from the Dakis Joannou Collection, New Museum, New York
Off the Wall: Part 1—Thirty Performative Actions, The Whitney Museum of American Art, New York
Sexuality and Transcendence, Pinchuk Art Centre, Kiev
Haunted: Contemporary Photography/Video/Performance, Solomon R. Guggenheim Museum, New York; Guggenheim Museum, Bilboa * (2010-2011)
The Dissolve, SITE Santa Fe Eighth Biennial, Santa Fe, New Mexico *
2009
Undeniably Me, Kunstmuseum Wolfsburg, Germany (2009-2010)
Beg Borrow and Steal, The Rubell Family Collection Museum, Miami (2009-2010) *
Who’s Afraid of the Artists, A Selection of Works From Francois Pinault Foundation Collection, Palais des Arts, Dinard, France
Dress Codes, Third ICP Triennial of Photography and Video, International Center of Photography Museum, New York (2009-2010) *
Mapping the Studio: Artists from the François Pinault Collection, Punta della Dogana, Venice (2009-2010) *
The Pictures Generation: 1974-1984, The Metropolitan Museum of Art, New York *
Into the Sunset: Photography’s Image of the American West, Museum of Modern Art, New York; Seattle Art Museum (2009-2010)
Un Certain État du Monde? A Selection of Works From Francois Pinault Foundation Collection, Garage Center for Contemporary Culture, Moscow *
Darkside II, Fotomuseum Winterthur, Zürich *
2008
Collecting Collections: Highlights from the Permanent Collection, The Museum of Contemporary Art, Los Angles *
Blasted Allegories: Works from the Ringier Collection, Kunstmuseum, Luzern *
Street and Studio, Tate Modern, London; Museum Folkwang, Essen, Germany (2008-2009) *
The Broad Contemporary Art Museum, Los Angeles County Museum of Art, Los Angeles *
2007
WACK! Art and the Feminist Revolution, The Museum of Contemporary Art, Los Angeles; National Museum of Women in the Arts, Washington D.C.; P.S. 1 Contemporary Art Center, New York (2007-2008) *
Theater without Theater, Museum of Contemporary Art, Barcelona
Museum Ludwig, Köln
Held Together With Water, Sammlung Verbund, MAK, Vienna; Museum of Modern Art, Istanbul (2007-2009) *
Panic Attack! Art in the Punk Years, Barbican Art Gallery, London *
Sammlung Verbund, MAK, Vienna*
Hessel Museum of Art, Bard, New York
Portrait/Homage/Embodiment, Pulitzer Foundation for the Arts, St. Louis
2006
Masquerade: Role Playing in Self-Portraiture, Los Angeles County Museum of Art
The Eighth Square: Gender, Life, and Desire in the Visual Arts Since 1960, The Museum Ludwig, Cologne
New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum Monaco *
Into Me / Out of Me, P.S. 1, New York KW Institute for Contemporary Art, Berlin; MACRO Museo d’Arte Contemporanea, Rome (2006-2007) *
WHERE ARE WE GOING: Selections from the Francios Pinault Collection, Palazzo Grassi, Venice
Masquerade, Museum of Contemporary Art, Sydney

Olaf Breuning, Jim Shaw & Cindy Sherman, Metro Pictures, New York
2005
Contemporanea, Fundaciòn Juan March, Madrid*
Vertiges, Printemps de septembre a Toulouse Festival of Contemporary Images, Francia *
Flashback:Revisiting the Art of the Eighties, Kunstmuseum Museum für Gegenwartkunst, Basel*
Pandemic: Imaging AIDS, Umbrage Editions, New York
25th Anniversary Exhibition, Fay Gold Gallery, Atlanta
American Matrix: Contemporary Directions for the Harn Museum Collection, Samuel P. Harn Museum of Art, University of Florida, Gainsville
2004
Fashioning Fiction in Photographing Since 1990, Museum of Modern Art, New York*
La Grande Parade – Portrait de l’Artiste en Clown, Galeries Nationals du Grand Palais, Paris; National Gallery of Canada, Ottawa*
Disparities & Deformations – Our Grotesque, 5th International Site Santa Fe Biennale, New Mexico*
Shanghai Biennale – Techniques of the Visibile, Shanghai Art Museum, China*
2003
The Last Picture Show: Artists Using Photography 1960-1982, Walzer Art Center, Minneapolis; Museo de Arte Contemporanea de Vigo, Spain; Fotomuseum Winterthur, Switzerland; Miami Art Center*
2002
Moving Pictures, Solomon R. Guggenheim Museum, New York
Life, Death, Love, Hate, Pleasure, Pain, Museum of Contemporary Art, Chicago*
2001
Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collection, Los Angeles County Museum of Art *; Museum of fine Arts, Boston
2000
Let’s Entertain, Walker Art Center, Minneapolis*; Centre Georges Pompidou, Parigi; Portland Art Museum, Oregon; Museo Rufino Tamayo, Mexico City*; Kunstmuseum Wolfsburg; Miami Art Museum
Open Ends, Museum of Modern Art, New York
Hyper Mental, Kunsthaus Zürich; Hamburger Kunsthalle*
1999
Gesammelte Werke 1: Zeitgenössische Kunst seit 1968, Kunstmuseum, Wolfsburg
Notorious, Museum of Modern Art, Oxford
The American Century, Whitney Museum of American Art, New York*
Inverted Odysseys, Grey Art Gallery, New York*
The Century of the Body: Photoworks 1900-2000, Musée de l’Elysée, Lisbona
Triennale Exhibition: Sentiment of the Year 2000, Triennale di Milano, Milano
Regarding Beauty, Hirshhorn Museum, Washington, D.C.*
1998
Mirror Images: Women, Surrealism and Self-Representation, MIT List Center, Cambridge,
Massachussettes; Miami Art Museum; San Francisco Museum of Modern Art
1997
Gender Performnce in Photography, Solomon R. Guggenheim Museum, New York*
On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection, The Museum of Modern Art, New York
Von Beuys bis Cindy Sherman Sammlung Lothar Schirmer, Kunsthalle, Bremen*
1996
L’Informe: le Modernisme a Rebours, Centre Georges Pompidou, Musée National d’Art Moderne, Parigi
Hall of Mirrors: Art and Film Since 1945, The Museum of Contemporary Art, Los Angeles; The Wexner Center for the Arts, Columbus, Ohio; Palazzo delle Esposizioni, Rome; The Museum of Contemporary Art, Chicago*
Biennale di Firenze, Firenze*

Film – Video:

1997
Office Killer, feature-film starring Molly Ringwald, Carol Kane, Jeanne Tripplehorn,
Barbara Sukowa, Good Machine and Kardana/Swinsky Films
Documentaries:

1994
Nobody’s Here But Me, a 55 minute Cinecontact production for the BBC and the Arts
Council of England, Director: Mark Stokes, producer: Robert Mcnab
Awards and Grants:

2016
Praemium Imperiale Prize  for Outstanding Achievement in the Arts
2014
Centennial Medal, American Academy in Rome
2012
Roswitha Haftmann Prize
2011
Archives of American Art Medal
2010
Honorary Member of the Royal Academy of Arts
2009
National Artist Honoree, The Anderson Ranch Arts Center
2005
Guild Hall Academy of the Arts Lifetime Achievement Award for Visual Arts
Honoree at New Museum Annual Benefit
2003
American Academy of Arts and Sciences Award
2002
National Arts Award
2001
New York State Governor\’s Arts Award
2000
The Hasselblad Foundation
1999
Goslar Kaierring Prize
1997
Wolfgang-Hahn-Preis (Gesellschaft fur Moderne Kunst am Museum Ludwig)
Selected Museum and Public Collections:

Akron Art Museum
Albright-Knox Art Gallery, Buffalo
Allen Memorial Art Museum, Oberlin, Ohio
Art Gallery of New South Wales, Sydney
Art Gallery of Ontario, Toronto
Art Institute of Chicago
Astrup Fearnley Museet for Moderne Kunst, Oslo
Australian National Gallery, Canberra
Baltimore Museum of Art, Maryland
Birmingham Museum of Art
Brooklyn Museum, New York
Burchfield Art Center, Buffalo
Carnegie Museum of Art, Pittsburgh,
Centre Georges Pompidou, Paris
Centro de Arte Reina Sofia, Madrid
Chrysler Museum, Norfolk, Virginia
Corcoran Gallery of Art, Washington, D.C.
Dallas Museum of Fine Arts
Des Moines Art Center
Duke University Museum of Art, Durham, North Carolina
Eli Broad Family Foundation, Los Angeles
Ellipse Foundation, Portugal
Emmanuel Hoffmann Foundation, Basel
Everson Museum, Syracuse
Fotomuseum Winterthur, Switzerland
Fundacio “la Caixa”, Barcelona
Galleria d’Arte Moderna e Contemporanea Pallazzo Forti, Verona, Italy
George Eastman House, Rochester
Goetz Collection, Munich
Henry Art Gallery, Washington
Hamburger Bahnhof Museum fur Gegenwart, Berlin
Hamburger Kunstalle, Hamburg
Hara Museum of Contemporary Art, Tokyo
Hayden Gallery, Massachusetts Institute of Technology, Cambridge
High Museum, Atlanta
Indianapolis Museum of Art
International Center of Photography, New York
Israeli Museum, Israel
Kunsthalle Hambourg, Germany
Kunsthaus, Zurich
Kunstmuseum Wolfsburg, Germany
Los Angeles County Museum of Art
Louisiana Museum, Humlebaek, Denmark
Madison Art Center, Wisconsin
Magasin 3, Stockholm
Malmo Konsthall, Sweden
Metropolitan Museum of Art, New York
Middlebury College Museum of Art, Middlebury, Vermont
Milwaukee Art Museum
Moderna Museet, Stockholm
Modern Art Museum of Fort Worth, Texas
Mount Holyoke College Art Museum, South Hadley, Massachusetts
Musée d’art Contemporain, Montréal
Museet for Samtidskunst, Oslo
Museo Nacional Centro de Arte Reina Sofia, Madrid
Museum Boymans-van Beuningen, Rotterdam
Museum Folkwang, Essen, Germany
Museum des 20, Jahrunderts, Vienna
Museum Ludwig, Koln
Museum of Art, Carnegie Institute, Pittsburgh
Museum of Contemporary Art, Chicago
Museum of Contemporary Art, Helsinki
Museum of Contemporary Art, Los Angeles
Museum of Contemporary Art, Luxembourg
Museum of Contemporary Art, Wright State University, Dayton
Museum of Fine Arts, Boston
Museum of Fine Arts, Houston
Museum of Modern Art, New York
Museum of Modern Art, Oslo
National Gallery of Canada, Ottowa
New Britain Museum of American Art, New Britain, Conneticut
Palmer Museum of Art, Pennsylvania State University, University Park, Pennsylvania
Philadelphia Museum of Art
Patchett Collection, San Diego
Portland Art Museum, Oregon
Power Gallery of Contemporary Art, University of Sydney, Australia
Queensland Art Gallery, Brisbane, Australia
Rijksmuseum Kroller-Muller, Otterlo, Holland
Ringling Museum, Sarasota, Florida
Rose Art Museum, Brandeis University, Walthan, Massachusetts
San Diego Museum of Contemporary Art
San Francisco Museum of Modern Art
Scottish National Gallery, Edinburgh
Solomon R. Guggenheim Museum, New York
Sprengel Museum, Hannover
St. Louis Art Museum
Staatsgalerie Stuttgart, Germany
Stedelijk Museum, Amsterdam
Tamayo Museum, Mexico City
Tampa Museum of Art
Tate Gallery, London
Tokyo Metropolitan Museum of Photography
University Art Gallery, SUNY, Binghamton
University of Kentucky Art Museum, Lexington
University of Virginia Art museum
Vancouver Art Gallery
Vasser College Art Gallery, Poughkeepsie, New York
Victoria and Albert Museum, London
Wadsworth Atheneum, Hartford
Walker Art Center, Minneapolis
Weatherspoon Art Gallery, Greensboro, North Carolina
Whitney Museum of American Art, New York

Monographs:

2016
Philipp Kaiser, Sofia Coppola and Joanne Heyler, Cindy Sherman: Imitation of Life. Broad Museum, Los Angeles and Prestel, Munich, London, New York.
Rebecca Mutch (ed.), Cindy Sherman, Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia.
Betsy Berne, Cindy Sherman 2016, Hartman Books, Stuttgart, Germany.
2015
Ingvild Goetz and Karsten Löckemann (eds.), Cindy Sherman. Hatje Cantz Verlag, Germany
2014
Dahlia Schweitzer, Cindy Sherman’s Office Killer: Another Kind of Monster. Intellect Books, Bristol, United Kingdom and Chicago.
Paul Moorhouse, Phaidon Focus: Cindy Sherman. Phaidon Press, London.
2013
Lena Essling (ed.), Untitled Horrors. Hatje Cantz, Ostfildern, Germany
2012
Christa Döttinger, Cindy Sherman: History Portraits. Schirmer/Mosel, Munich. (reprint)
Eva Respini (ed.), Cindy Sherman, The Museum of Modern Art, New York
Gabriele Schor, Cindy Sherman: The Early Works, 1975-1977, Catalogue Raisonné. Ostfildern, Germany, Hatje Cantz, 2012 
2011
Silver, Kenneth E., Peter C. Sutton, and Linda Nochlin, Cindy Sherman:Works from Friends of the Bruce Museum. Greenwich, Conn.: Bruce Museum, 2011
2008
Cindy Sherman, Metro Pictures and Sprüth Magers, New York, pp. 40
2007
Cindy Sherman,
Francesco Bonami (ed.), Cindy Sherman, Mondadori Electa S.p.A., Milan
A Play of Selves, Hatje Cantz Verlag, Metro Pictures, New York
2006
Julie Rouard (ed.), Cindy Sherman, Jeu de Paume & Flammarion, Paris
Johanna Burton, Cindy Sherman, The October Files, MIT Press, Boston
2005
Working Girl, Essay by Catherine Morris, Contemporary Art Museum St. Louis
2004
Clowns, Schirmer/Mosel, Hannover
2003
The Complete Untitled Film Stills, Museum of Modern Art, New York
Centerfolds, Skarstedt Fine Art, New York
Cindy Sherman, Serpentine Gallery, London
2001
Hysteric Two, Hysteric Glamour, Tokyo
2000
Early Work of Cindy Sherman, foreword by Edsel Williams, Glenn Horowitz Bookseller, New York
Cindy Sherman, ed. by Gunilla Knape, Hasselblad Center, Goteborg, Sweden
1999
The Essential Cindy Sherman, The Wonderland Press/Abrams, New York
1997
Retrospective, Museum of Contemporary Art, Los Angeles
Katharina Schmidt & Marc Scheps, Cindy Sherman, Museum Ludwig, Cologne
Cindy Sherman: A Selection From the Eli Broad Foundation’s Collection, essays by Frederica Palomero & Joanne Heyler, Museo de Bellas Artes, Caracas, Venezuela
1996
Cindy Sherman, essays by Betty van Garrel, Verena Lueken, Hal Foster, Margrit Brehm, Peter Schjeldahl, Museum Boijmans-van Beuningen, Rotterdam
Cindy Sherman, essays by Amelia Arenas, Chika Mori, Akio Obigane, sachiko Osaki, interview with Noriko Fuku, Museum of Modern Art, Shiga, Japan; Marugame Genichiro-Inokuma Museum of Contemporary Art; Museum of Contemporary Art, Tokyo
1995
Christa Schneider, Cindy Sherman: History Portraits, Schirmer Mosel, Munich
Cindy Sherman: Photoarbeiten 1975-1995, introduction by Zdenek Felix and Martin Schwander, text by Elisabeth Bronfen and Ulf Erdmann Ziegler, Deichtorhallen Hamburg, Malmo Konsthall, Kunstmuseum Luzern
Cindy Sherman: The Self Which Is Not One, essay by Carlos Basualdo, Museu de Arte Moderna de Sao Paulo, Brazil
1993
Rosalind Krauss, Cindy Sherman: 1975-1993, Rizzoli, New York
1991
Cindy Sherman, essay by Thomas Kellein, Basel Kunsthalle, Basel; Whitechapel Art Gallery, London; Staatsgalerie Moderner Kunst, Munich
History Portraits, essay by Arthur C. Danto, Rizzoli, New York and Schirmer/Mosel, Munich
Cindy Sherman: Specimens, Art Random: Kyoto Shoin International
1990
Untitled Film Stills Cindy Sherman, essay by Arthur Danto, Schirmer Mosel, Munich and Rizzoli, New York
Cindy Sherman, Mazzotta, Milan
1989
Cindy Sherman, essays by Robert Leonard and Priscilla Pitts, The National Art Gallery, New Zealand
1987
Cindy Sherman, essays by Peter Schjeldahl and Lisa Phillips, Whitney Museum of American Art, New York; The Institute of Contemporary Art, Boston, Massachussetts; The Dallas Museum of Art, Texas
Cindy Sherman, essays by Peter Schjeldahl and Els Barents, Schirmer/Mosel, Munich
Cindy Sherman, Parco Co., Ltd, Tokyo
1985
Cindy Sherman, essay by Marianne Stockebrand, Westfalischer Kunstverein, Munster
1984
Cindy Sherman, Laforet Museum, Tokyo
Cindy Sherman, essays by Peter Schjeldahl and I. Michael Danoff, Pantheon Books, New York
1983
Cindy Sherman, essay by Christian Caujolle, Musee d’Art et d’Industrie Saint-Etienne, France
1982
Cindy Sherman, Stedelijk Museum, Amsterdam

Selected Bibliography:
2016
Sara Greenough, Photography Reinvented. The Robert E. Meyerhoff and Rheda Becker Collection. National Gallery of Art, Washington and Princeton University Press: 50-3.
Douglas Crimp,  Pictures. S’ Approprier La Photographie. New York, 1979-2014., Le Point du Jour, Cherbourg-Octeville, France: 61, 167, 176-82.
Tim Loc, Cindy Sherman, Art World Shape Shifter, To Exhibit At The Broad, LAist.com (June 10).
Jordan Riefe, Cindy Sherman Storms L.A.’s Broad: Iconic Artist Explains Her Hollywood State of Mind, HollywoodReporter.com (June 11).
Christopher Knight, Review: Art as a mirror of selfie culture? That’s ‘Cindy Sherman: Imitation of Life’, LATimes.com (June 11).
Deborah Vankin, Cindy Sherman reveals her latest body of work — and it’s personal, LATimes.com (June 11).
Tanja Laden, Cindy Sherman Debuts the Broad Museum’s Special Exhibitions, Vice.com (June 12).
Andrew M. Goldstein, 10 of the Best Artworks at Art Basel 2016, Artspace.com (June 15).
Lauren Sharkey, Cindy Sherman’s Cinematic Selfies Arrive in LA, LA.Racked.com (June 14).
Cynthia Lum, Cindy Sherman: Imitation of Life, Examiner.com (June 13).
Erin Free,  In Character: A Cinematic Response To Cindy Sherman, FilmInk.com.au (June 17).
Sandra Barrera, How Cindy Sherman’s art became the Broad’s first special exhibition, DailyNews.com (June 17).
Tim Adams,  Cindy Sherman: ‘Why am I in these photos?’, TheGuardian.com (July 3).
Romy Ash,  Cindy Sherman on her lifelong love of dress-ups, TheSaturdayPaper.com.au (June 18)
John McDonald, Cindy Sherman: self-portraits of the artist as an everywoman, SydneyMorningHerald.com.au (June 24)
Andrew Stephens,  Who are you? Cindy Sherman retrospective goes in search of the real subject, SydneyMorningHerald.com.au (June 3)
Gwynedd Stuart,  5 Reasons to See Cindy Sherman’s Show at the Broad, LAWeekly.com (June 9,)
Kat Herriman,  Watch a Larger-Than-Life Cindy Sherman Mural Come Together, T Magazine Blog (June
Sarah Cascone,  VIDEO: Cindy Sherman Channels Old Hollywood Glamour at Metro Pictures, artnet.com (June 9)
Charlotte Jansen, Caught on film: The Broad showcases 120 of Cindy Sherman’s most cinematic works, Wallpaper.com (June 9)
Michael Juliano,  Cindy Sherman’s self-portraits fill the Broad’s first ticketed exhibition, Timeout.com (June 9)
Nicholas Forrest, Review: Cindy Sherman’s Potent Portraits at GOMA Brisbane, BlouinArtInfo.com (June 6)
Abigail Cain,  Is Cindy Sherman a Feminist?, Artsy.com (June 2)
Barbara Hoffman, The many faces of artist Cindy Sherman, New York Post (May 21): 28-29
Claire Fallon, Artist Cindy Sherman Embodies 1920s Film Beauties In New Photos, HuffingtonPost.com (May 23)
Johanna Fateman,  Critics’ Picks: Cindy Sherman, Artforum (May): 187
Andrew Stephens, Who are you? Cindy Sherman retrospective goes in search of the real subject, SydneyMorningHerald.com.au (June 3)
Sally Butler, Here’s looking at: Cindy Sherman ‘Head Shots,’ TheConversation.com (May 24)
Claire Fallon, Artist Cindy Sherman Embodies 1920s Film Beauties In New Photos, HuffingtonPost.com (May 23)
Karina Carvalho, Cindy Sherman questioning fashion, beauty and aging women comes to Brisbane, ABC.net.au (May 26)
David Ebony,  David Ebony’s Top 10 New York Gallery Shows for May, Artnet.com (May 25)
Ginger Liu,  Cindy Sherman: Imitation of Life at the Broad: Interview, Examiner.com (May 26)
Gina Fairley, VIDEO: Who is Cindy Sherman?, ArtsHub.co.uk (May 30)
Jennifer Krasinski, About Face: Cindy Sherman’s Women at Metro Pictures, VillageVoice.com (May 31)
Andrew Frost, Cindy Sherman review – high-society selfies by quintessential postmodernist, TheGuardian.com (May 30)
Lauren Carroll Harris, Seven Hidden Cinema References In Cindy Sherman’s Work, FilmInk.com.au (May 24)
Andrew Stephens, Who are you? Cindy Sherman retrospective goes in search of the real subject, SydneyMorningHerald.com.au (June 3)
Holland Cotter,  Poised for a Final Close-Up and Moving On, New York Times (May 27): C22
Blake Gopnik, Ready for Her Close-Up, New York Times (April 24): AR1, AR 18
Johanna Fateman, Critics’ Picks: Cindy Sherman, Artforum (May 2016): 187
David Alm, In Her New Work, Cindy Sherman Confronts The Pain, Loneliness, And Strength Of An Aging Woman, Forbes.com (May 6)
Darryn King, Photographer Cindy Sherman’s fictional self-portraits head to QAGOMA, TheAustralian.com.au (May 7)
Stephanie Eckardt, Cindy Sherman’s Latest Guise: Extreme Vulnerability, WMagazine.com (May 3)
Alison Nastasi, Cindy Sherman’s Intimate Portraits as Hollywood Grande Dames Examine Aged Femininity, Flavorwire.com (May 2)
Laura Allsop, Lessons We Can Learn From Cindy Sherman, AnOtherMag.com (April 22)
Alexis Corral, 15 Blockbuster Gallery Shows You Need to See in New York This May, Artsy.com (April 29)
Blake Gopnik,  In an Unseen New Image of Aging, Cindy Sherman Returns To Her Teenage Self, Artnet.com (April 25)
Laura Brown, Cindy Sherman: Street-Style Star, Harper’s Bazaar (March 2016): Five Collector’s Edition Covers, 185, 190, 454-463
2015
Ralph Ubi, Maja Oeri, and Catherine Hurzeler, Future Present: The Collection of the Emanuel Hoffman Foundation. Laurenz Foundation, Schaulager, Münchenstein, Switzerland: 526-535, 717
Christoph Grunenberg and Eva Fischer-Hausdorf (eds.), Last Year in Marienbad: A Film as Art, Wienand Verlag, Cologne and Kunsthalle Bremen, Germany: 214-215
James Rondeau, Edlis/Neeson Collection. The Art Institute of Chicago: 80-85
Massimiliano Gioni and Roberta Tenconi (eds.), The Great Mother. Skira, Milan and Fondazione Nicola Trussardi, Milan: 2, 250-251
Joanne Heyler, Ed Schad and Chelsea Beck, eds. The Broad Collection. DelMonico Books-Prestel Publishing, Munich, London, New York: 19, 162-167, 169-179
Tom McDonough,  Human/Capital, October (No. 153, Summer): 117-131
Isabel Friedli, Heidi Naef, with Jasmin Sumpf, Martina Venanzoni and Anna Francke, eds. Future Present: The Collection of the Emmanuel Hoffmann Foundation. Laurenz Foundation, Schaulager: 526- 533, 717-718
Emily Florido and Alison McDonald, eds. In the Studio: Photographs. Gagosian Gallery, New York: 110
Dirk Luckow, ed. Picasso in Contemporary Art. Snoeck Verladgesellschaft mbH, Cologne: 196-197
2014
Cindy Sherman, Art in America (December, 2014): cover
Michael Auping, Urban Theater: New York in the 1980s. Skira Rizzoli, New York and The Museum of Modern Art Fort Worth, Texas: 138-145
Martijn Van Nieuwenhuyzen (ed.), Bad Thoughts: Collection Martijn and Jeannette Sanders. Stedelijk Museum, Amsterdam: 29
Elkann, Ginevra, Neville Wakefield, Hans Ulrich Obrist and Mario Testino. Somos Libres II: Works from the Mario Testino Collection. RCS Libri S.p.A., Milan: 16, 28
2013
Kito Nedo,  Cindy Sherman, In Art Now Vol. 4. Taschen: 384, cover
Chinatsu Makiguchi (ed.), Reading Cinema, Finding Worlds: Art After Marcel Broodthaers. The National Museum of Art, Kyoto: 46-55
Anne Dressen,  Best of 2013: #4 Cindy Sherman (55th Venice Biennale), Artforum (December): 240
Massimiliano Gioni and Gary Carrion-Murayari, NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York: 143
Amy Galpin (ed.), Behold, America! Art of the United States from Three San Diego Art Museums. Museum of Contemporary Art San Diego, The San Diego Art Museum, and the Tinken Museum of Art: 57, 355
Darren Pih (ed.), Glam: The Performance of Style. Tate Publishing, London: 130-1, 135
Eleanor Heartney,  Cindy Sherman: The Polemics of Play. In After the Revolution: Women Who Transformed Art, 2nd ed. Prestel Publising, New York, Munich, London: 180-201
Eda Cufer, Isabella Maidment, Fiontán Moran, Dieter Roelstraete and Catherine Wood. A Bigger Spash: Painting after Performance. Tate Modern, London: 72-4, 112
2012
Mary Abbe,  The Many Lives of Cindy Sherman, Variety (November 9): E1-E6; Vitamn (November 8- 14): cover, 16-8
Camille Morineau, and Annalisa Rimmaudo (eds.), elles@centrepompidou, Centre Pompidou, Paris, Seattle Art Museum: 98-99
Mark Rosenthal et al., Regarding Warhol: Sixty Artists, Fifty Years, The Metropolitan Museum of Art, New York: 57, 68, 100, 109
Vera Dika, The (Moving) Pictures Generation, Palgrave Macmillan, New York: 42
Brice Curiger, Carlotta Graedel Matthäi and Franziska Lentzsch (eds.), Riotous Baroque: From Cattelan to Zurbaran. Manifestations of Precarious Vitality, Kunsthause Zürich: 133-135
Kenneth Baker,  Artist and Model All in One, San Francisco Chronicle (Sunday Datebook, July 8-14): Cover, 12-13
Andy Grundberg, Cindy Sherman, MoMA, Art in America (June/July): 165
Heather Pesanti (ed.), Wish You Were Here: The Buffalo Avant-garde in the 1970s, Albright-Knox Art Gallery, Buffalo: 96-7
Hal Foster,  At MoMA, London Review of Books (May 10): 12
Barbara Pollack, Cindy Sherman, Museum of Modern Art, ARTnews (May): 106
Roberta Smith, Cindy Sherman, New York Times (May 4): C28
Helen Molesworth (ed.), This Will Have Been: Art, Love & Politics in the 1980s, Museum Contemporary Art Chicago and Yale University Press, New Haven: 296-297, 373-375
Howard Halle, Cindy Sherman,Time Out New York (March 15-21): 41
Claudia Bodin, Ich ist eine andere, art (March): cover, 22-31
Peter Schjeldahl, Faces, The New Yorker (March 5): 84-85
Roberta Smith, Photography’s Angel Provocateur, The New York Times (February 24): C25-29
Carol Vogel, Cindy Sherman Unmasked, The New York Times (February 19): AR1, AR24
Jerry Saltz, Cindy Sherman: Becoming, New York Magazine (February 20-27): 88-92
Simon Schama, Cindy Sherman talks to Simon Schama, FT Weekend Magazine (February 4-5): cover, 14-19
2011
Jack Bankowsky and Emily Wei Rales, No Substitute, Glenstone Foundation, Potomac, Maryland: 122-123
Karola Kraus (ed.), Museum of Desires, DISTANZ Verlag, Berlin: 220-221, 239
Candy (3rd issue, 2011-2012): 27-39
Defining Contemporary Art: 25 Years in 200 Pivotal Artworks, Phaidon Press Limited, London: 30-31
Brice Curiger and Giovanni Carmine (ed.), ILLUMInations, Marsilio Editori, Venice: 264-265
Barbara Buhler Lynes and John Weinberg (ed.), Shared Intelligence: American Painting and the Photograph, University of California Press, Berkeley, Los Angeles, London: 202.
Gerardo Mosquera, 1,000 Faces / 0 Faces / 1 Face: Cindy Sherman, Thomas Ruff, Frank Montero, B Fundacion Telefónica/La Fabrica, Madrid: 17-69.
Katie Siegel, Since ’45, Reaktion Books, London: 77-80, 91, 11.
Nancy Princenthal (ed.), The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991, Neuberger Museum of Art, Del Monico Books Prestel, Munich, pp. 138-145
Emily Stokes, “Me, myself and why,” Financial Times, January 7
2010
Mixed Use Manhattan: Photography and Related Practices, 1970s to the Present, Museo Nacional Centro de Arte Reina Sofía, Madrid; The MIT Press, Cambridge, pp. 120-123
Massimiliano Gioni and Judy Ditner (eds.), 10,000 Lives, Gwangju Biennale Foundation, Gwangju, Korea, pp. 355
E. L. Doctorow, “America: Nowandhere,” Aperture, Fall, pp. 68, cover
Becky Poostchi, “Cindy: Blonde & Beyond,” POP, Autumn/Winter
The Dissolve: Eighth International Biennial Exhibition 2010, Site Santa Fe, New Mexico, pp. 136-139
Jennifer Blessing and Nat Trotman, Hauted: Contemporary Photography/Video/Performance, Guggenheim Museum Publications, New York, pp. 23, 38, 80-81
2009
Juan Roselione-Valadez (ed.), Beg Borrow and Steal, Rubell Family Collection, Miami, pp. 218-225
Matthew Higgs, “Best of 2009,” Artforum, December, pp. 177, cover
Elizabeth Thomas, Matrix/Berkeley: A Changing Exhibition of Contemporary Art, University of California, Berkeley Art Museum and Pacific Film Archive, Berkeley, California, pp. 286
Alison M. Gingeras and Francesco Bonami (ed.), Mapping the Studio: Artists from the François Pinault Collection, Palazzo Grassi, Venice; Mondadori Electa S.p.A., Milan, pp. 176-181; 340-341
Douglas Eklund, The Pictures Generation, 1974-1984, The Metropolitan Museum of Art, New York
Catherine Wood, “Cindy Sherman,” L’Uomo Vogue, May/June, pp. 114-121
Peter Schjeldahl, “Alien Emotions: Pictures Art Revisited,” The New Yorker, May 4, pp. 74-75
Holland Cotter, “At the Met, Baby Boomers Leap Onstage,” The New York Times, April 24, pp. C27, C30
Ben Lewis, “Cindy Sherman Shoots the Wives of the Rich,” The Evening Standard, London, April 16
Arifa Akbar, “Being Cindy Sherman,” The Independent, London, April 16
Waldemar Januszczak, “Cindy Sherman: I’m Every Woman,” The Times, London, April 12
Laura Allsop, “The ‘Real’ Cindy Sherman,” Art Review, April, pp. 70-75
Francesco Baragiola (ed.), Un Certain Etat Du Monde? Skira Editore S.p.A., Milan, pp. 74-81
“My First New York: Cindy Sherman,” New York, April 20, pp. 31
David Frankel, “Cindy Sherman: Metro Pictures,” Artforum, February, pp. 186
Eva Respini, Into the Sunset: Photography’s Image of the American West, The Museum of Modern Art, New York, pp. 128, 137 (cover)
Urs Stahel (ed.), Darkside II, Fotomuseum Winterthur and Steidl Verlag, Göttingen, pp. 47, 65, 275
2008
Calvin Tomkins, Lives of the Artists, Henry Holt and Company, New York, pp. 21-45
Michael Fried, Why Photography Matters As Art As Never Before, Yale University Press, New Haven, pp. 8-9, 13-14
Martha Schwendener, “Female Trouble,” The Village Voice, December 16, pp. 41
Jerry Saltz, “The Top Nine Shows (And One Event),” New York, December 15, pp. 55
Matthew Higgs, “Cindy Sherman,” Interview, December/January, pp. 145-149
Jerry Saltz, “Sherman’s March of Time: The Original Chameleon Shows Her Characters’ Aging—And is Reborn,” New York, December 1, pp. 76-77
David Hershkovits, “In Your Face?,” Paper, November, pp. 54-60
This is Not To Be Looked At: Highlights from the Permanent Collection, The Museum of Contemporary Art, Los Angeles, pp. 274-275
Hubert Beck and Günter Engelhard, Fotografie, Hatje Cantz Verlag, Ostfildern, pp. 244-247
Beatrix Ruf (ed.), Blasted Allegories: Works from the Ringier Collection, JRP Ringier, Zurich, pp. 222-225, 276, 316, 324-325
Mark Stevens, “How I Made It: Cindy Sherman on her ‘Untitled Film Stills,’”New York, April 14, pp. 78-79
2007
Catherine Millet, “Cindy Sherman/Nicolas Ghesquire,” French Vogue, August, pp. 158-165
Gabriele Schor, “Cindy’s Original Scene,” Held Together With Water, Sammlung Verbund, Hatje Cantz, Ostfildern, pp. 46-71
Panic Attack! Art in the Punk Years, Mark Sladen and Ariella Yedgar (ed.), Merrell Publishers Limited, London, pp. 156-161
Wrestle: Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annadale-on-Hudson, New York, pp. 52-69
Cindy Sherman and Johanna Burton, “1,000 Words: A Play of Selves,”Artforum, January, pp. 232-233
2006
Klaus Biesenbach (ed.), Into Me / Out of Me, Hatje Cantz Verlag, Ostfildern, pp. 424-425
The 80′s: A Topology, Ulrich Loock (ed), Museu Serralves, Portugal, pp. 288-293
Gabriele Schor, “Cindy’s Original Scene: Doll Clothes,” Parkett, No.78, pp. 24-28
Germano Celant and Lisa Dennison, New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Skira, Monaco, pp. 348 – 349.
No. 1, Francesca Richer and Matthew Rosenzweig (ed.), D.A.P., New York, p. 344
Superstars: von Warhol bis Madonna, Kunsthalle Wien & BA-CA Kunstforum, pp. 222, 223, 267-271
Hal Foster et al., Art Since 1900, Thames & Hudson, United Kingdom
Johanna Burton, “Cindy Sherman: Retrospective,” Artforum, May, pp. 110-111.
“Une Vision Qui Se Deploie,” interviewed by Arthur Danto, Art Press, May, pp. 24 – 31
J.M. Bernstein, Against Voluptuous Bodies, Stanford University Press, California, pp. 253 – 323
2005
Hatje Cantz Verlag, Flashback: Revisiting the Art of the 1980s, Kunstmuseum Basel, Museum fur Gegenwartskunst, Switzerland
2004
Monument to Now: The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, pp. 358-359
Richard B. Woodward, “Fun to Look Different,” Art News, May, p. 108
Roberta Smith, “The Ever-Shifting Selves of Cindy Sherman, Girlish Vamp to Clown,” New York Times, 28 May, E33
Jan Avgikos, “Reviews – Cindy Sherman, Metro Pictures,” Artforum, September, p. 265
2003
“Cindy Sherman Talks to David Frankel,” interview with David Frankel,Artforum, March, pp. 54-55, 259-260
Molly Nesbit, “Bright Light, Big City: The 80s Without Walls,” Artforum, pp. 184-189, 245-8
Tom Lubbock, “The Make-up Girl,” The Independent Review, London, pp. 14-15
Gabby Wood, “I’m Every Woman…,” The Observer, London, May 18
Charlotte Mullins, “Living Doll,” Financial Times, London, June 7
Betsy Berne, “Studio Visit: Cindy Sherman,” TATE Arts and Culture, London, May/June, pp. 36-42
Simon Ford, “Head to Head: Cindy Sherman and Barbara Kruger in London,”Art Monthly, London, July-August 2003, no. 268, pp. 35-37 (cover)
John Slyce, “Beyond Recognition: The Unidentifiable Cindy Sherman,”Portfolio, London, December, No. 38, pp. 42-49
2002
Art History Aesthetics Visual Studies, editors Michael Ann Holly & Keith Moxey, essay by Michael Kelly, Yale University Press, New Haven, pp. 122-146
Hautnah – The Goetz Collection, Museum Villa Stuck, Munich pp. 82-5
Visions from America: Photographs from the Whitney Museum of American Art, Whitney Museum of American Art, New York, pp. 130, 140, 221
Art Now, Uta Grosenick & Burkhard Riemschneider (ed.), Taschen, Cologne, pp. 452-5
2001
David Gleeson, “Reviews – Cindy Sherman,” Time Out London, January 3-10, p. 52
Cheryl Kaplan, “Cindy Sherman,” Tema Celeste, January-February, p. 91
Edward Leffingwell, “Cindy Sherman at Metro Pictures,” Art in America,June, p.126
Double Life, Sabine Breitwieser (ed.), Generali Foundation, Vienna, Austria
Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections, Los Angeles County Museum of Art, California
ABBILD: Recent Portraiture and Depiction, Landesmuseum Joanneum, Graz, Austria
American Visionaries, Whitney Museum of American Art, New York, p. 278
2000
David Pagel, “Sherman is the Very Picture of How Others Fall Short,” Los Angeles Times, 14 April, F22
Inverted Odysseys, Claude Cahun, Maya Deren, Cindy Sherman, ed. by Shelly Rice, Massachussets Institute of Technology; Grey Art Gallery, New York University; Museum of Contemporary Art, North Miami
Calvin Tompkins, “Her Secret Identities,” The New Yorker, May, pp. 74-83
Charles Gandee, “Women on the Verge,” Talk, May, p. 46
Éva Forgács, “Cindy Sherman,” Art Issues, September/October, p. 46
Wayne Koestenbaum, “Fall Gals,” Artforum, September, pp. 148-151 (and cover)
Vince Aletti, “The Lady Vanishes,” Village Voice, 21 November, p. 85
Michael Kimmelman, “Cindy Sherman,” New York Times, 24 November, p. E36
Linda Yablonsky, “Vanity Fare,” Time Out New York, Nov. 30 – Dec. 7, p. 91
Modern Contemporary: Art at MoMA Since 1980, Kirk Varnedoe, Paola Antonelli, Joshua Siegel (ed.), Museum of Modern Art, New York, pp. 2, 3, 4, 5, 6, 41, 230, 347
Hyper Mental, Kunsthaus Zürich/Hamburger Kunsthalle, Germany, p. 101
Andrew Wilson, “Cindy Sherman,” Art Monthly, December-January, pp. 33-4
1999
Peter Schjeldahl, “Valley of the Dolls,” The New Yorker, 7 June, pp. 94-95
Lilly Wei, “Cindy Sherman: Metro Pictures,” Artnews, September, p. 147
Brook S. Mason, “Sherman’s March,” Artnews, September, p. 72
Mark Van Proyen, “Cindy Sherman,” New Art Observer, October, p. 46
Jutta Koether, “Old Witnesses,” Camera Austria, Graz, no. 67, pp. 18-29 (and cover illustration)
Barbara Pollack, “The 10 Best Living Artists: Self-Denial,” Artnews, December, p. 146
Dave Hickey, “Best of the 90′s,” Artforum, December, pp. 112-3
Janet Kraynak, “Cindy Sherman at Metro Pictures,” Documents, Fall, pp. 54-8
1998
Claire Carolin, “Cindy Sherman: History Portraits,” Contemporary Visual Arts, issue. 17, p. 75
R. Forgáes, “Cindy Sherman,” Art Issues, January/February, p. 48
Miranda Sawyer, “The Invisible Woman,” The Observer (Life Weekend Segment), England, pp. 14-19
“200 Women Legends, Leaders and Trailblazers,” Vanity Fair, November, p. 250
1997
Phoebe Hoban, “Sherman’s March,” Vogue, February, pp. 240-3, 278
Noriko Fuku, “A Woman of Parts,” Art in America, June, pp. 74-81, 125
Herbert Muschamp, “Knowing Looks,” Artforum, Summer, pp. 106-111
Peter Plagens, “The Odd Allure of Movies Never Made,” Newsweek, June 30, pp. 74-5
Mark Stevens, “Performance Anxiety,” New York, July 7, pp. 58-9
Roberta Smith, “Film Starlet Clichés, Genuine and Artificial at the Same Time,” New York Times, Arts and Leisure, 27 June, C23
Helen Molesworth, “The Comfort of Objects: Helen Molesworth on Cindy Sherman’s ‘Untitled Film Stills’ 20 Years on,” Frieze, London, September/October, pp. 45-47
Christopher Knight, “Camera Ready,” Los Angeles Times, 2 November, pp. 5, 92
Roberta Smith, “A Horror Movie, Complete with Zombies,” The New York Times, November 30, p. 41
Andrew Johnston, “Office Killer,” Time Out, December 4-11, p. 83
John Anderson, “Office Killer Takes Aim at Horror Genre,” The Los Angeles Times, December 5
1996
Dike Blair, “A Chat with Cindy Sherman,” Flash Art, March/April, p. 82
Hilton Als, “She Came From SoHo,” The New Yorker, 22 April, pp. 38-39
1995
Peter Schjeldahl, “Master Class,” The Village Voice, February 7, p. 77
Dike Blair, “Cindy Sherman – Metro Pictures,” Flash Art, March – April, p. 103
Neville Wakefield, “Cindy Sherman,” Artforum, April, p. 89
Kim Paice, “Cindy Sherman,” Art in America, May, pp. 112-3
Ken Johnson, “Cindy Sherman,” Art in America, May, pp. 112-3
Michael Kimmelman, “Portraitist in the Halls of Her Artistic Ancestors,” New York Times, 19 May, C1, C7
1994
Andrew Menard, “Cindy Sherman: The Cyborg Disrobes,” Art Criticism, vol. 9, no. 2, pp. 38-48
Emily B. Greenberg, “Cindy Sherman and the Female Grotesque,” Art Criticism, vol. 9, no. 2, pp. 49-55
From Beyond the Pale – Cindy Sherman Photographs 1977-1993, Irish Museum of Modern Art, Dublin
Jurgen Klauke – Cindy Sherman, Sammlung Goetz, Munich
1993
Jan Avgikos, “Cindy Sherman: Burning Down the House,” Artforum, Jan., pp. 74-9
Louise Lawler, Cindy Sherman, Laurie Simmons, Kunsternes Hus, Oslo; Museum of Contemporary Art, Helsinki
Rosalind E. Krauss, “Cindy Sherman’s Gravity: A Critical Fable,” Artforum, September, pp. 163-164, 206
1992
Cindy Sherman, Fitcher’s Bird, Rizzoli, New York
Judith Williamson, “Images of ‘Women’: The Photography of Cindy Sherman,” Knowing Women: Feminism and Knowledge, Great Britian: The Open University, pp. 222-25 (reprint from Screen, 1982)
Elizabeth Bronfen, Over Her Dead Body, Manchester University Press
Amei Wallach, “Tough Images to Face,” Los Angeles Times, June 7
Brian D’Amato, “Cindy Sherman: Limbless Hermaphrodites and Dismembered Devil Dogs,” Flash Art, Summer, p. 107
1991
Currents 18: Cindy Sherman, Milwaukee Museum of Art
Hugo Williams, “Her Dazzling Career, Cindy Sherman at the Saatchi Collection,” Times Literary Supplement, London, 11 January, p. 10
Laura Mulvey, “A Phantasmagoria of the Female Body: The Work of Cindy Sherman,” New Left Review, #188, July-August, pp. 136-51
Ursula Pia Jauch, “I am Always the Other,” Parkett, Zurich, no. 29, pp. 74-80
Elfriede Jelinek, “Sidelines,” Parkett, no. 29, pp. 82-90
Norman Bryson, “The Ideal and the Abject,” Parkett, Zurich, no. 29, pp. 91-102
Wilfried Dickhoff, “Untitled Nr. 179,” Parkett, Zurich, no. 29, pp. 103-111
Abigail Solomon-Godeau, “Suitable for Framing,” Parkett, Zurich, no. 29, pp. 112-121
1990
Roberta Smith, “A Course in Portraiture by an Individualist with a Camera,”New York Times, Arts and Leisure, 5 January, p. C19
Glenn Collins, “A Portraitist’s Romp through Art History,” New York Times, 2 February, C17, C20
Peter Schjeldahl, “Portrait: She is a Camera,” 7 Days, 28 March, pp. 17-19
Brooks Adams, “Cindy Sherman at Metro Pictures,” Art in America, June, p. 172
“Insert: Cindy Sherman,” Parkett, Zurich, no. 24, pp. 119-133
1989
Rick Woodward, “Film Stills,” Film Comment, April, pp. 51-4
David Rimanelli, “New York: Cindy Sherman, Metro Pictures,” Artforum, Summer, p. 165
Peter Plagens, “Into the Fun House,” Newsweek, August 21, pp. 52-7
1987
Roberta Smith, “Art: Cindy Sherman at Metro Pictures,” The New York Times, May 8
Gerals Marzorati, “Sherman’s March,” Vanity Fair, October
Michael Brenson, “Art: Whitney Shows Cindy Sherman Photos,” The New York Times, July 24, C31
Arthur C. Danto, “Art: Cindy Sherman,” The Nation, 15-22 August, pp. 134-137
Ken Johnson,”Cindy Sherman and the Anti-Self: An Interpretation of Her Imagery,” Arts Magazine, November, pp. 47-53
1986
Stephen W. Melville, “The Time of Exposure: Allegorical Self-Portraiture in Cindy Sherman,” Arts Magazine, January, pp. 17-21
Deborah Drier, “Cindy Sherman at Metro Pictures,” Art in America, January
1985
Gerald Mazeroti, “Self-Possessed,” Vanity Fair, October
Andy Grundberg, “Cindy Sherman’s Dark Fantasies Evoke a Primitive Past,”The New York Times, October 20
1984
Jamey Gambrell, “Marginal Acts,” Art in America, March, pp. 114-9
Lisa Liebman, “Cindy Sherman, Metro Pictures,” Artforum, March, p. 95
Rosemary Robotham, “One-Woman Show: Cindy Sherman Puts Her Best Face Foward,” Life Magazine, June, pp. 14-22
1983
Kate Linker, “Cindy Sherman, Metro Pictures,” Artforum, January, p. 79
Currents 20. Cindy Sherman, essay by Jack Cowart, St. Louis Art Museum
Gerald Marzorati, “Imitation of Life,” Art News, September, pp. 78-87 (cover)
Lee Lescaze, “Making Faces: A Photographer Dressed up for Success,” The Wall Street Journal, November 15, p. 32
Vicki Goldberg, “Portrait of a Photographer as a Young Artist,” New York Times, 23 October
Roberta Smith, “Art,” Village Voice, November 29, p. 119
Judith Williamson, “Images of ‘Woman’: The Photographs of Cindy Sherman,” Screen, London, November/December, pp. 102-116
1982
Jamey Gambrell, “Cindy Sherman, Metro Pictures,” Artforum, February, pp. 85-6
Peter Schjeldahl, “Shermanettes,” Art in America, March, pp. 110-1
Richard Rhodes, “Cindy Sherman’s ‘Film Stills’,” Parachute, September-October, pp. 4-7 (and cover)
1981
Richard Flood, “Cindy Sherman, Metro Pictures,” Artforum, March, p. 80
Douglas Crimp, “The Photographic Activity of Postmodernism,” October, no. 15, Winter, pp. 99-102
Andy Grundberg, “Cindy Sherman: A Playful and Political Post Modernist,”New York Times, 22 November
1980
Cindy Sherman: Photographs, essay by Linda Cathcart, Contemporary Arts Museum, Houston
Craig Owens, “The Allegorical Impulse: Toward a Theory of Postmodernism, Part 2,” October 13, Summer, pp. 59-80
1979
Douglas Crimp, “Pictures,” October 8, Spring, pp. 75-88