Lisa Yuskavage

Born 1962 in Philadelphia, Pennsylvania. Lives and works in New York, New York.

EDUCATION

1986
M.F.A. Yale School of Art, New Haven, Connecticut
1984
B.F.A. Tyler School of Art, Temple University, Philadelphia, Pennsylvania
1982
Temple Abroad, Tyler School of Art, Rome, Italy

SOLO EXHIBITIONS

2015
Lisa Yuskavage, David Zwirner, New York
Lisa Yuskavage:The Brood, the Rose Art Museum of Brandeis Univesity, Waltham, Massachussets
2013
greengrassi, London
2011
David Zwirner, New York, NY
Lisa Yuskavage: Tragic Land, The Royal Hibernian Academy, Dublin (organized as part of the Dublin Contemporary: Terrible Beauty-Art, Crisis, Change & the Office of Non Compliance)
2010
Lisa Yuskavage, greengrassi, London, England
2009
Lisa Yuskavage, David Zwirner, New York, New York
2007
Lisa Yuskavage, greengrassi, London, England
2006
Lisa Yuskavage, Museo Tamayo Arte Contemporáneo, Mexico City, Mexico [catalogue]
Lisa Yuskavage: New Work, David Zwirner, New York, New York, concurrent with Lisa Yuskavage: New Work, Zwirner & Wirth, New York, New York [catalogue]
2004
Lisa Yuskavage, greengrassi, London, England
2003
Lisa Yuskavage, Marianne Boesky Gallery, New York, New York
2002
Lisa Yuskavage, greengrassi at The Galleries Show, Royal Academy of Arts, London, England
Lisa Yuskavage, greengrassi, London, England
2001
Lisa Yuskavage, Centre d’Art Contemporain, Geneva, Switzerland
Lisa Yuskavage, Marianne Boesky Gallery, New York, New York
Lisa Yuskavage: Watercolors, Studio Guenzani, Milan, Italy
2000
Lisa Yuskavage, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania*
1999
Lisa Yuskavage, greengrassi, London, England
1998
Lisa Yuskavage, Marianne Boesky Gallery, New York, New York
1997
Lisa Yuskavage, Studio Guenzani, Milan, Italy
1996
Lisa Yuskavage, Boesky & Callery, New York, New York
Lisa Yuskavage, Christopher Grimes Gallery, Santa Monica, California*
1994
Lisa Yuskavage, Christopher Grimes Gallery, Santa Monica, California
Lisa Yuskavage, Luhring Augustine, New York, New York
Lisa Yuskavage: Watercolors, Elizabeth Koury, New York, New York
1993
Lisa Yuskavage, Elizabeth Koury, New York, New York
Lisa Yuskavage, Studio Guenzani, Milan, Italy
1990
Lisa Yuskavage, Pamela Auchincloss Gallery, New York, New York

SELECTED GROUP EXHIBITIONS

2016
Hey You! – Who Me?!, 31 Edgewood Gallery, Yale School of Art, New Haven, Connecticut
Transactions, The Knockdown Center, Maspeth, New York
2015
Collection in Focus, The Rose Art Museum, Brandeis University, Waltham, Massachusetts
Intimacy in Discourse: Unreasonable Sized Paintings, Mana Contemporary and the School of Visual Arts, New York
NO MAN’S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami
Print Up Ladies, Islip Art Museum, East Islip, New York
Studio Guenzani, Milano 1986 – 2015: Molto – Tutto, Studio Guenzani, Milano
The Art of Our Time, Museum of Contemporary Art, Los Angeles
True Monotypes, International Print Center New York
Unrealism, The Moore Building, Miami Design Discrict, Miami
2013
Expanding the Field of Painting, Institute of Contemporary Art, Boston
Love Story:The Anne and Wolfgang Titze Collection, Winter Place and 21er Haus, Belvedere, Vienna
David Winton Bell Gallery, Brown University, Providence, Rhode Island (exhibition on October 2014)
2012
Decades:Contemporary Collecting 2002-2012, Albright-Knox Art Gallery, Buffalo New York
The Distaff Side, The Granary, Sharon, Connecticut
Pittura, Studio Guenzani, Milan
Faces, Onassis Cultural Centre, Athens, curated by Paolo Colombo
Haunting Narratives:Detours from Philadelphia Realism 1935 to the Present, Woodmere Art Museum, Philadelphia*
New to the print Collection: Matisse to Bourgeois, The museum of Modern Art, New York
Print/Out, The Museum of Modern Art, New York

2011
NY: New Perspectives, Brand New Gallery, Milan
Terrible Beauty – Art Crisis, Change & The Office of Non-Compliance, Dublin Contemporary, Dublin
Creating the New Century: Contemporary Art from the Dicke Collection, Dayton Art Institute, Dayton, Ohio [catalogue forthcoming]
Secret Society, Schirn Kunsthalle, Frankfurt, curated by Alexis Vaillant
2010
Multiple Pleasures: Functional Objects in Contemporary Art, Tanya Bonakdar Gallery, New York NY
Between Picture and Viewer: The Image in Contemporary Painting, Visual Arts Gallery, School of Visual Arts, New York
Face to Face, Museum of Contemporary Art, Denver, Denver, Colorado
Size Does Matter, The FLAG Art Foundation, New York, New York*
Until Now: Collecting the New (1960-2010), Minneapolis Institute of Arts, Minneapolis, Minnesota
Dirty Kunst, Seventeen, London
2009
30th Anniversary, Christopher Grimes Gallery, Santa Monica, California
Bad Habits, Albright-Knox Gallery, Buffalo, New York
The Female Gaze: Women Look at Women, Cheim & Read, New York, New York
Figuratively Seeing, Massachusetts College of Art and Design, Boston, Massachusetts*
2008
Attention to Detail, The FLAG Art Foundation, New York, New York*
Bad Painting Good Art, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria*
Diana and Actaeon: The Forbidden Glimpse of the Naked Body, Museum Kunst Palast, Dusseldorf,
Germany*
Female Forms and Facets: Artwork by Women from 1975 to the Present, Central Connecticut State
University Art Galleries, New Britain, Connecticut
The Gallery, David Zwirner, New York, New York
Happy Vacation, Thrust Projects, New York, New York
Out of Shape: Stylistic Distortions of the Human Form in Art from the Logan Collection, The Frances
Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York*
Paint Made Flesh, The Frist Center for the Visual Arts, Nashville, Tennessee [itinerary: The Phillips
Collection, Washington, D.C.; The Memorial Art Gallery, The University of Rochester,
Rochester, New York]*
Weighing and Wanting: Selections from the Collection, Museum of Contemporary Art, San Diego, La
Jolla, California
2007
America Today: 300 Years of Art from the USA, National Art Museum of China, Beijing, China [itinerary: Shanghai Museum and the Shanghai Museum of Contemporary Art, Shanghai, China]
Artist Collaborations: Fifty Years of Universal Limited Art Editions, The Museum of Modern Art, New York, New York
Contemporary Drawings from an Alumna’s Collection (Martina Yamin, Class of 1958), Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts*
Multiplex: Directions in Art 1970 to Now, The Museum of Modern Art, New York, New York
Paper, Fisher Landau Center for Art, Long Island City, New York
The Present: The Monique Zajfen Collection, Stedelijk Museum, Amsterdam, The Netherlands
2006
The Other Side #2: Radical Pursuits: Delights in the subversive and sublime, Tony Shafrazi Gallery, New York, New York
2005
Drawn Across the Century: Highlights from the Dillard Collection of Art on Paper, Gallery of Contemporary Art, University of Colorado Springs, Colorado Springs, Colorado
Girls on Film, Zwirner & Wirth, New York, New York Laguna\’s Hidden Treasures: Art from Private Collections, Laguna Art Museum, Laguna Beach, California
“Post” and After: Contemporary Art from the Brandeis Collection, Rose Art Museum, Brandeis
University, Waltham, Massachusetts
2004
5th International Biennial: Disparities and Deformations, Our Grotesque, SITE Santa Fe, Santa Fe, New Mexico*
The Charged Image, Joseloff Gallery, University of Hartford, Hartford, Connecticut
Seeing Other People, Marianne Boesky Gallery, New York, New York
She’s Come Undone, Artemis Greenberg Van Doren, New York, New York
2003
de Kooning to Today: Highlights from the Permanent Collection, Whitney Museum of American Art, New York, New York
Reverie: Works from the Collection of Douglas S. Cramer, The Speed Art Museum, Louisville, Kentucky
Self Portraits, Deitch Projects, New York, New York
Skowhegan Faculty Exhibition, Institute of Contemporary Art at Maine College of Art, Portland, Maine
Stephen Greene: Painter and Teacher, Addison Gallery, Andover, Maryland
Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Art, San Francisco, California*
Terrible Beauty, Roebling Hall, New York, New York
2002
The 177th Annual: An Invitational Exhibition, National Academy of Design, New York, New York*
Fusion Cuisine, Deste Foundation, Athens, Greece*
Go Figure, LUXE, New York, New York
Visual Jury 2002 Exhibition, Fine Arts Work Center, Provincetown, Massachusetts
2001
Arte Contemporaneo Internacional, Museo de Arte Moderno, Mexico City, Mexico
Camera Works: The Photographic Impulse in Contemporary Arts, Marianne Boesky Gallery, New York,
furor scribendi: Works on Paper, Angles Gallery, Los Angeles, California
Lateral Thinking, Art of the 1990s, Museum of Contemporary Art, San Diego, La Jolla, California*
Naked Since 1950, C&M Arts, New York, New York
Pictures, Patents, Monkeys, and More…On Collecting, Organized by Independent Curators International with guest curator Ingrid Schaffner [itinerary: Western Art Gallery, Western Washington University Bellingham, Washington; John Michael Kohler Arts Center, Sheboygan, Wisconsin; Akron Art Museum, Akron, Ohio; Fuller Museum of Art, Brockton, Massachusetts; Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania; Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania]*
Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, England
2000
00, Barbara Gladstone Gallery, New York, New York*
The 46th Biennial Exhibition: Media/Metaphor, Corcoran Museum of Art, Washington, D.C.
2000 Whitney Biennial, The Whitney Museum of American Art, New York, New York*
Drawn From Life, Marianne Boesky Gallery, New York, New York
The Figure: Another Side of Modernism, Newhouse Center for Contemporary Art, New York, New York*
Go Figure, Norfolk Public Library, Norfolk, Connecticut
Greater New York, P.S.1 Contemporary Art Center, Long Island City, New York
A Plurality of Truths, Schick Art Gallery, Skidmore College, Saratoga Springs, New York*
Salon, Delfina Project Space, London, England
Twisted: Urban Visionary Landscapes in Contemporary Painting, Van Abbemuseum, Eindhoven, The
Netherlands*
Works on Paper 2000, American Ambassador’s Residence, The Slovak Republic*
Marianne Boesky Gallery, New York, New York
1999
Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York, New York
Looking at Ourselves: Works by Women Artists From the Logan Collection, San Francisco Museum of Modern Art, San Francisco, California*
Negotiating Small Truths, Jack S. Blanton Museum of Art, University of Texas at Austin, Austin, Texas*
The Nude in Contemporary Art, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut*
The Passion and the Wave, 6th International Istanbul Biennial, Istanbul, Turkey*
Spellbound, Karyn Lovegrove Gallery, Los Angeles, California
The Time of Our Lives, New Museum of Contemporary Art, New York, New York*
1998
From Here to Eternity, Max Protetch Gallery, New York, New York
Now and Later, Yale University Art Gallery, New Haven, Connecticut
People, Places, and Things, Marianne Boesky Gallery, New York, New York
Pop Surrealism, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut*
A Portrait of Our Times: An Introduction to the Logan Collection, San Francisco Museum of Modern Art,
San Francisco, California*
Presumed Innocence, Anderson Gallery of Virginia Commonwealth University, Richmond, Virginia [itinerary: Center for Contemporary Art, Cincinnati, Ohio]*
Risk of Existence, Phyllis Kind Gallery, New York, New York
Young Americans 2, Saatchi Gallery, London, England*
1997
My Little Pretty, Museum of Contemporary Art, Chicago, Illinois*
The Name of the Place, Casey Kaplan, New York, New York
Project Painting, Lehmann Maupin and Stephano Basilico Galleries, New York, New York*
SLAD, Apex Art, New York, New York Women’s Work in Contemporary Painting, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina*
1996
Adicere Animos, Cesena-Cesenatico, Bologna, Italy*
Early Learning, L & R Entwistle Ltd., London, England
Heart\’s Desire, Judy Ann Goldman, Boston, Massachusetts
Intermission, Basilico Fine Arts, New York, New York
Norfolk \’96, Yale Summer School of Music and Art, Norfolk, Connecticut
Rome Invitational, Tyler School of Art, Temple University, Philadelphia, Pennsylvania
The Tailor\’s Dummy, Christopher Grimes Gallery, Santa Monica, California
What I did on my summer vacation, White Columns, New York, New York
1995
Diverse Group, Apex Art, New York, New York*
Gang Warfare, The MacKinney Avenue Contemporary, Dallas, Texas
Not Not (Who\’s There?), E.S. Vandam, New York, New York
An Offering to San Simeon, Christopher Grimes Gallery, Santa Monica, California On Beauty, Regina Gallery, Moscow, Russia
Pictura Immedia, Malerei in den 90er Jahren, Kunstlerhaus and Neue Galerie, Graz, Austria [itinerary:
Kunsthalle Budapest, Budapest, Hungary]*
Youth Culture Killed My Dog (But I Don’t Really Mind), Contemporary Arts Council, Chicago, Illinois*
1994
Don\’t Postpone Joy or Collecting Can Be Fun, Austrian Cultural Center, New York, New York
I, Myself, and Me, The InterArt Center, New York, New York
New Work, Johan Jonker Galleria, Amsterdam, The Netherlands NY/NL: XX, Gemeenteligh Helmont Museum, Helmond, The Netherlands
Out West and Back East: New Work from New York and Los Angeles, The Santa Monica Museum of Art,
Santa Monica, California
Up the Establishment, Sonnabend Gallery, New York, New York
1993
Figure as Fiction, The Contemporary Arts Center, Cincinnati, Ohio*
Medium Messages, Wooster Gardens, New York, New York
Mr. Serling\’s Neighborhood, Christopher Grimes Gallery, Santa Monica, California
The Return of the Cadavre Exquis, The Drawing Center, New York, New York
Yale Collects Yale, Yale Art Gallery, New Haven, Connecticut*
1992
The Anti-Masculine, Kim Light Gallery, Los Angeles, California
Group Exhibition, Elizabeth Koury, New York, New York
Little Men/Little Women, White Columns, New York, New York
A Paper Trail, Berland/Hall Gallery, New York, New York
1991
FIAR International Exhibition [itinerary: Rome, Italy; Milan, Italy; Paris, France; London, England; New York, New York; Los Angeles, California]*
Fine Arts Work Benefit Show, Twining Gallery, New York, New York
1989
Juried Show \’89, New Jersey Center for the Visual Arts, Summitt, New Jersey
1988
Emerging Artists, WWAC Gallery, Westport, Connecticut
Twenty Artists Choose Twenty Artists, Provincetown Art Museum, Provincetown, Massachusetts
1987
New Work, New Talent, New Haven, Harcus Gallery, Boston, Massachusetts 1986
New Talent, Alpha Gallery, Boston, Massachusetts

2015
Come Together: Surving, Sandy, Year 1. Edited by Jack Flam. Skira Rizzoli, New York
2014
The Distaff Side. Edited by Joan Simon. Texts by Melva Bucksbaum, Ryan Frank, Steven Learner, Caitlin Smith and Elisabeth Sussman. The Granary, Sharon, Connecticut*
2013
The Reckoning: Women Artists of the New Millennium. Texts by Eleanor Heartney, Heleine Posner, Nancy Princenthal and Sue Scott, Prestel Munich
2012
Decade: Contemporary Collecting 2002-2012. Texts by David Pagel and Heather Pesanti, Albright -Knox Art Gallery, Buffalo, New York*
Haunting Narratives: Detours from Philadelphia Realism, 1935 to the present. Woodmere Art Museum Philadelphia*
2011
NY: New Perspectives, Brand New Gallery, Milan
Terribile Beauty – Art, Crisis, Change&The Office of Non Compliance, Dublin Contemporary, Dublin
Creating the New Century: Contemporary Art from the Dicke collection, Dayton Art Institute, Dayton, OH*
Secret Societies, Schirn Kunsthalle, Frankfurt (curated by Alexis Vaillant)
2010
Multiple Pleasures: Functional Objects in Contemporary Art, Tanya Bonakdar Gallery, New York, NY
(curated by Nathaie Karg/Cumulus Studios)
Between Picture and Viewer: The image in Contemporary Painting, Visual Arts Gallery, School of Visual Arts, NY
Face to Face, Museum of Contemporary Art, Denver, Denver, CO
You’ve gone too far this time, Faggionato Fine Arts, London
The Library of Babel/In and Out of Place, Projectspace 176, London
Size Does Matter, The FLAG Art Foundation, New York, NY*
Until Now:Collecting the New (1960-2010), Minneapolis Institute of Arts, Minneapolis, MN
Dirty Kunst, Seventeen, London
2009
Johnson, Ken. “The Image is Erotic. But is it Art?” The New York Times (January 25, 2009): 30
2008
Smith, Roberta. “Dear Gallery: It Was Fun, but I’m Moving Up.” The New York Times (April 18, 2008): E29, 36
Teulings, Sabien. “‘Eyes Wide Open’ in Stedelijk Amsterdam.” <H>ART (February 14, 2008)
“Acquisizioni Allo Stedelijk.” Arte e Criteria, no. 59 (anno 15): 52
2007
Adam, Georgina. “The Power 100: The Art World’s Most Influential People, Chosen by Art Review
Magazines’s Panel.” Wall Street Journal (October 12, 2007)
Butler, Connie and Amelia Jones. “Lisa Yuskavage: Critiquing Prurient Sexuality…or Disingenuously
Peddling Soft-Porn Aesthetic?” The Washington Post (April 22, 2007): N6.
Heartney, Eleanor. “Lisa Yuskavage.” Art in America (February 2007): 143.
Herbert, Martin. “Lisa Yuskavage.” Time Out London (October 17-23, 2007): 48.
Hruska, Jordan. “(Art) Work…From Home.” Whitewall, No. 6 (Summer 2007): 26.
Neil, Jonathan T.D. “New York: Another 48 Hours.” Art Review (January 2007): 110, 147.
Perl, Jed. “Jed Perl on Art: Laissez-Faire Aesthetics, What money is doing to art, or how the art world lost  its mind.” The New Republic (February 5, 2007): 21.
Schwabsky, Barry. “Lisa Yuskavage.” Map (Spring 2007)
Schwendener, Martha. “Even in a Digital Age, a Strong Case for Printmaking.” The New York Times
(February 12, 2007)
Troy, Flora. “Readers React: Strokes of Genius.” W (January 2007): 34.
“Gladiators.” ARTnews (Summer 2007)
“A Mogul’s Rolodex.” Vanity Fair (October 2007): 272
“The Power 100, 2007.” Art Review (November 2007): 108-109
“A Room Full of Yuskavages.” Whitewall (Winter 2007): 154.
“Top: Die zehn wichtigsten Galeristen 2007.” Monopol (August 2007): 29
2006
Cerio, Gregory. “Contemporary Art: The New Blue Chips,” Home & Garden (January 2006): 92-93, 116.
Crow, Kelly. “Art Sales Bring Record Haul, Fatigue.” The Wall Street Journal (May 12, 2006): W4.
Crow, Kelly. “Too Much if a Good Thing?” The Wall Street Journal (April 28, 2006): W12.
Finkel, Jori. “Tales From the Crit: For Art Students, May Is the Cruelest Month.” The New York Times
(May 1, 2006)
Rosenblum, Emma. “Greatest Snits: Biennial Stars (and Detractors).” New York (February 27, 2006):
44 – 45
“Artnet News.” artnet.com (March 3, 2006)
“The pursuit of beauty.” ArtReview (March 2006): 35-36.
2005
Francine Prose, “Preemptive Strike: Lisa Yuskavage’s very weird women”, Modern Painters,
marzo, pp. 72-75
“Don’t Miss – ArtTalks: Lisa Yuskavage”, Time Out New York, 29 sett – 5 ott, p 93
“This Week – Special Events: Lisa Yuskavage”, New York Magazine, 3 ottobre, p 111
2004
Jennifer Higgie, “Women on the Verge”, Frieze, Ottobre
Jeffrey Kastner, “Deviation Standard: Jeffrey Kastner on SITE Santa Fe, Artforum, maggio
“Contemporary Art: SITE Santa Fe; Lisa Yuskavage”, Art + Auction, luglio
2003
Brian Boucher, “Lisa Yuskavage”, Flash Art International, ottobre
Ken Johnson, “Lisa Yuskavage”, The New York Times, 20 giugno
Sarah Valdez, “Naked Truths”, Art News, marzo
“Lisa Yuskavage: new paintings”, The Art Newspaper, maggio
“Lisa Yuskavage”, The New Yorker, 9 giugno
2002
Jane Smiley, “Just like a woman”, Harper’s Bazaar, January
Martin Gayford, “Spotlight on the middleman”,  The Daily Telegraph, 13 settembre
Thomas Girst, “Zurück zur Figur”, Süddeutsche Zeitung, 4 Dicembre
2001
John Currin, Lucian Freud, David Salle, Katy Siegel, Lisa Yuskavage, “Baltus”, Artforum, estate
Jonathan Gilmore, “Lisa Yuskavage”, Tema Celeste, n. 84, marzo-aprile, p. 94
Grace Glueck, “Review: Naked Since 1950”, The New York Times, 30 Novembre
Carey Lovelace, “Lisa Yuskavage: Fleshed Out” Art in America, luglio, pp 80-85
Edith Newhall, “Lisa Yuskavage”, Art News, vol. 100 n. 4, aprile, p. 147
Peter Schjeldahl, “Girls, Girls, Girls”, The New Yorker, 15 gennaio pp. 100-1
Roberta Smith, “Painter Who Loads the Gun and Lets the Viewer Fire It”, The New York
Times, 12 Gennaio p. B51
“Lisa Yuskavage”, recensione, Artforum, aprile, pp. 141-2
2000
Deborah Soloman, “Art Girls Just Wanna Have Fun”, The New York Times Magazine,
30 gennaio
Katy Siegel, “Blonde ambition, the art of Lisa Yuskavage”, Artforum,May
James Gardner, “When Boring is Beautyful”, New York Post, 29 marzo
Eils Lotozo, “A Provocative Painter, Philadelphia Inquirer, 30 novembre
Gene Moreno, “High Noon in Desire County”, Art Papers, maggio-giugno
Jerry Saltz, “My Sixth Sense”, Village Voice, 4 aprile, p. 69
“Lisa Yuskavage”, Absolutearts.com, 13 dicembre
1999
Judith H. Dobrazynski, “A Painter in Her Art Trade Places”,  The New York Times, 28 gennaio
Martha Schwendener, “Reviews”, Flash Art, marzo-aprile, 111-112
Michael Cohen, “Pitura a New York”, Flash Art, ottobre-novembre
Dorotea Dietrich, “Working Proof”, Art on Paper, marzo-aprile, Vol. 3, N. 4, p. 56
Giuseppe Russo, “Z la formica, la mongolfiera, il senso del mondo e l’arte contemporanea”,
Tema Celeste, marzo-aprile, pp 34-41
“Out of Town; Aldrich Museum of Contemporary Art”, The New Yorker, 23 agosto
1997
Pokorny Sydney, “Lisa Yuskavage at Boesky & callery”, Artforum, febbraio
Ritchie Matthew, “Lisa yuskavage at Boesky & callery”, Flash Art, marzo/aprile
Schwabsky Barry, “Picturehood is Powerful”, Art in America, dicembre
1998
Whitehead Jayson, “The Painting of Lisa Yuskavage”, Gadfly, aprile 1998
Steinberg Michael, “A New York Mosaic”, Modern Painters, primavera 1998
Burns Anna, “Children and Sexuality in the Visual Arts”, Contemporary Visual Arts,
n.18, estate 1998
Cream – Contemporary Art and Culture, Phaidon Press, 1998
Schjeldahl Peter, Purple Nipple, Village Voice, 29 settembre, 1998
Cotter Holland, Lisa Yuskavage, The New York Times, 2 ottobre, 1998
1996
Smith Roberta, Review: Lisa Yuskavage at Boesky & Callery, The New York Times, 1 novembre
Saltz Jerry, Review: Lisa Yuskavage at Boesky & Callery, Time out New York,
31ottobre-7 novembre 1996
Arning Bill, Review: Lisa Yuskavage at Boesky & Callery, Village Voice, 29 ottobre
Plagens Peter, “Lady Painters? Smile When You Say That.”, Newsweek,
30 settembre, pp.82-84
Brooks Rosetta, “Some Girls Do”, Art+Text, No.54, pp. 30-32
Kandall Susan, “Yuskavage’s Works Embark on a Psycho sexual Adventure”,
Los Angeles Times, giovedì 11 gennaio
Joyce Julie, “Lisa Yuskavage at Christopher Grimes”, Art Issues,marzo/aprile
1995
Youth Culture killed my Dog catalogo della mostra
Pictura Immedia, Malerei in den 90er Jahren, catalogo della mostra
1994
Schwabsky, Barry, “Confessions of a Male Gaze”, The New Art Examiner, aprile
Kandall Susan, “Visions of Seductions-Repulsion”, Los Angeles Times, giugno 9
Saltz Jerry, “A year in the Life of Painting”, Art in America, ottobre
1993
Schwabsky, Barry, “Lisa Yuskavage at Elisabeth Koury”, Artforum, aprile
1992
“The Question of Gender in Art”, Tema Celeste, Autunno