Catherine Opie

BIOGRAPHY

Born in Sandusky, Ohio, 1961.
Lives and works in Los Angeles, California.

Education:
BFA San Francisco Art Institute, 1985
MFA CalArts, 1988

2000 – 2001 Professor of Fine Art, Yale University, New Haven, Connecticut
2001 – present Professor of Fine Art, Department of Art, University of California, Los Angeles

SOLO EXHIBITION:

2018
“Catherine Opie: The Human Landscape,” Centro Internazionale di fotografia, Palermo, Italy, May 31 – July 15, 2018
“Catherine Opie: The Modernist,” Regen Projects, Los Angeles, CA, January 12 – February 17, 2018
 2017
“Catherine Opie: Keeping an Eye on the World,” Henie Onstad Art Center, Oslo, Norway, October 6, 2017 – January 7, 2018; catalogue
“Catherine Opie: 700 Nimes Road”, NSU Art Museum Fort Lauderdale, Florida, February 12 – June 18, 2017
2016
“Catherine Opie: O”, Los Angeles County Museum of Art, Los Angeles, CA, February 13 – October 2, 2016
“Catherine Opie: Portraits”, Hammer Museum, Los Angeles, CA, January 30 – May 22, 2016
“700 Nimes Road” and “Portraits and Landscapers”, Lehmann Maupin, New York, NY, January 14 – February 20, 2016
“700 Nimes Road”, MOCA Pacific Design Center, Wst Hollywood, CA, January 24 – May 8, 2016; travels to University of Michigan Museum of Art, Ann Arbor, MI, June 11 -  September 11, 2016; George Eastman House, Rochester, NY, October 1, 2016 – January 8, 2017; NSU Art Museum for Lauderdale, Fort Lauderdale, FL, February 12 – June 18, 2017; Exh. cat.
2015
“Catherine Opie: Portraits and Landscapes”, Wexner Center for the Arts, Columbus, Ohio, USA, May 16 – August 2, 2015
2014
“The Gang: Photographs by Catherine Opie”, Walker Art Gallery, Liverpool, UK, October 4, 2014 – February 15, 2015
“Only Miss the Sun when it Stars to Snow”, Peder Lund, Oslo, Norway, June 21- September 13, 2014
Art Museum at the University of Kentucky, USA
2013
“In and Around LA”, Julius Shulman Institute, Los Angeles, CA, February 16 – March 24, 2013
“Catherine Opie”, Regen Projects, Los Angeles, CA
Hollywood Gallery, Los Angeles, USA
2012
“Catherine Opie, High School Football” -  Mitchell – Innes & Nash – West Street, New York City, NY
2011
“Catherine Opie”, Stephen Friedman Gallery, London
“Catherine Opie” Institute of Contemporary Art, Boston, April 12 – September 5, 2011
“Catherine Opie”: New Zeland; Zero to Something, projectspace B431, Elam School of fine Arts, New Zeland.
“Catherine Opie: Football Landscapes,” Peder Lund, Oslo, Norway, January 15- February 26, 2011
2010 
“Catherine Opie,” Portland Art Museum, Portland, OR, October 23 – February 6, 2011
“Catherine Opie: Figure and Landscape,” Los Angeles County Museum of Art, Los
Angeles, CA, July 25 – October 17, 2010
“Catherine Opie: High School Football Players,” Sabine Knust Galerie Maximilian
Verlag, Munich, Germany, May 20 – June 10, 2010
“Venezia/ Venice,” Studio Guenzani, Milan, Italy, May 19 – July 30, 2010
“Catherine Opie: Twelve Miles to the Horizon,” Regen Projects II, Los Angeles, CA,
April 24 – May 22, 2010
“Catherine Opie: Girlfriends,” Gladstone Gallery, New York, NY, March 19- April 24,2010
2008  
“Catherine Opie The Distant Blue: Photographs from Alaska,” Stephen Friedman
Gallery, London, UK, October 14 – November 14, 2008
“Catherine Opie: American Photographer,” Guggenheim Museum, New York,
September 26, 2008 – January 7, 2009
“Catherine Opie,” Regen Projects, Los Angeles, CA, April 10 – May 17, 2008
2006 
Gladstone Gallery, New York, NewYork, Fall 2006
MCA Chicago, Chicago, Illinois, Summer 2006
“1999 & In and Around Home,” Aldrich Museum, Ridgefield, CT, January 22 – May 14, 2006; travels to The Orange County Museum of Art, CA; June 4 – September 3, 2006; travels to Cleveland Museum of Contemporary Art, OH, September 29 – December 30, 2006; Weatherspoon Art Museum, Greensboro, NC, February 11 – April 29,2007; cat.
2004   
“Catherine Opie: Surfers,” Regen Projects, Los Angeles, January 10 – February 14
“Catherine Opie: Surfers,” Gorney, Bravin & Lee, New York, March 13 – April 10
“Catherine Opie: Surfers,” Stephen Friedman Gallery, London, January 22 -February 21
“Catherine Opie: Children,” Studio Guenzani, Milan, Italy, October 27 – December 4
2002  
“Catherine Opie: Icehouses,” Regen Projects, Los Angeles, CA, May 11 – June 15
“Catherine Opie: Skyways and Icehouses,” Walker Art Center, Minneapolis, MN,April 28 – July 21, cat.
“Catherine Opie: Icehouses,”Studio Guenzani, Milan, Italy, October 2 – November 6
2001   
“Wall Street,” Stephen Friedman Gallery, London, England, November 30 – January 19, 2002
“Wall Street 2000-2001,” presented by Antik in cooperation with Gorney, Bravin & Lee,New York, November 3 – December 10
2000  
“Catherine Opie: In between here and there,” The Saint Louis Art Museum, St. Louis, MO, October 6 – November 6, brochure.
“Catherine Opie,” The Photographers Gallery, London, England, August 9 – September 24; travels to the Museum of Contemporary Art, Chicago, November 18, 2000 – February 18, 2001, cat.
“Catherine Opie,” Gorney Bravin + Lee, New York, NY, March 18 – April 15
“Catherine Opie: Large Format Polaroids,” Thread Waxing Space, New York, NY, May 12 -June 10
“Catherine Opie,” Susan Inglett, New York, NY, February 24 – April 1
“Catherine Opie,” Art Pace, San Antonio, TX, April 6 – July 2
“Catherine Opie,” Partobject Gallery, Carrboro, North Carolina, April 1 – May 27
1999  
“Domestic,” Regen Projects, Los Angeles, CA
Galeria Presenca, Porto, Portugal, November 10 – December 20
“Catherine Opie: A Survey,” Woodstreet Galleries, Pittsburgh, PA, September 3 – October 16
1998     
“Mini-Malls,” Jay Gorney Modern Art, New York, NY
1997
“Catherine Opie,” Museum of Contemporary Art, Los Angeles, Oct. 5 – Feb. 8
“Houses and Landscapes,” Ginza Art Space, Shiseido, Tokyo, Japan
“Portraits and Houses,” Susanne Hilberry Gallery, Birmingham, MI
1996   
“Houses and Landscapes,” Regen Projects, Los Angeles, CA
“Houses and Freeways,” Jay Gorney Modern Art, NY
“Freeways,” Feigen Gallery, Chicago, IL
1995   
“Portraits,” enterprise, New York, NY
“Portraits,” Parco, Tokyo, Japan
“Portraits,” Galeria Massimo De Carlo, Milan, Italy
“Portraits and Freeways,” Richard Foncke Galerie, Ghent, Belgium
1994  
“Portraits,” Regen Projects, Los Angeles, CA
“Portraits,” Kiki Gallery, San Francisco, CA
“L.A. Freeways,” Jack Hanley Gallery, San Francisco, CA
1991
“Being and Having,” 494 Gallery, New York, NY
1990
“A Long Way from Paris: Photographs from MacArthur Park, Metro Rail, and Their Surroundings,” Beyond Baroque, Venice, CA
1989 
“Master Plan,” United States Post Office, Valencia, CA
“Master Plan,” Mills College, Oakland, CA

SELECTED GROUP EXHIBITIONS:

2017
“This Is Not a Selfie: Photographic Self-Portraits from the Audrey and Sydney Irmas Collection,” San Jose Museum of Art, San Jose, CA, August 25, 2017 – January 14, 2018; catalogue
“Marching to the Beat,” Jessica Silverman Gallery, San Francisco, CA, July 14 – August 26, 2017
“Over the Rainbow,” Praz-Delavallade, Los Angeles, CA, July 9 – August 26, 2017
“Woman with a Camera,” Museum of Contemporary Art, Chicago, IL, July 8, 2017 – January 14, 2018
“I Plan to Stay a Believer,” Andrew Kreps Gallery, New York, NY, June 29 – August 19, 2017
“Urban Planning: Contemporary Art and the City 1967 – 2017,” Contemporary Art Museum St. Louis, St. Louis, MO, May 5 – August 13, 2017
“Autophoto,” Fondation Cartier pour l’Art Contemporain, Paris, France, April 20 – September 24, 2017; catalogue
“Selections from the Permanent Collection: Catherine Opie and Sterling Ruby,” The Geffen Contemporary at MOCA, Los Angeles, CA, April 2 – July 29, 2017
“Golden State,” Marianne Boesky Gallery, New York, NY, March 29 – April 27, 2017; catalogue
“Expanded Visions: Fifty Years of Collecting,” Leslie-Lohman Museum of Gay and Lesbian Art, New York, NY, March 10 – May 21, 2017
“What I Loved: Selected Works from the ‘90s”, Regen Projects, Santa Monica, Los Angeles, March 4 – April 13, 2017
2016
“Photography ’80s – ’90s – ‘00s”, Studio Guenzani, Milan October 24, 2016 – January 31, 2017
“Breaking News”, Getty Center, Los Angeles, CA, December 20, 2016 – April “A Slow Secession with Many Interruptions”, San Francisco Museum of Modern Art, San Francisco, CA, December 10, 2016 – April 16, 2017
“The Sun Placed in the Abyss”, Columbus Museum of Art, Culumbus, OH, October 7, 2016 – January 8, 2017; catalogue
“Ecce Homo/ Behold the Man”, Museu de Fundatie, Zwolle, Netherlands, October 1, 2016 – January 15, 2017
“Reinventing Photography: The Robert E. Meyerhoff and Rheda Becker Collection”, National Gallery of Art, Washington D.C., September 3’, 2016 – March 5, 2017; catalogue
“Los Angeles – A Fiction“, Astrup Fearly Museet, Oslo, Norway, September 23, 2016 – January 22, 2017; catalogue
Southern Accent: Seeking the American South in Contemporary Art”, Nasher Museum of Art, Durham, NC, September 1, 2016 – January 8 , 2017; travels to Speed Art Museum, Louiseville, KY, April 29 – August 20, 2017; catalogue
“Who Shot Sports: A Photographic History, 1843 to the Present”, Brooklyn Museum, Brooklyn NY, July 15, 2016 – January 8, 2017; catalogue
“WE:AMEricans”, Station Independt Projects, New York, NY, July 7 – August 7, 2016
“The Female Gaze, Part Two: Women Look at Men”, Cheim & Read, New York, NY, June 23 – September 2, 2016
“On Limits: Estrangement in the Everyday”, The Kitchen, New York, NY, May 24 – June 11, 2016; catalogue
“Human Interest: Portraits from the Whitney’s Collection”, Whitney Museum of American Art, New York, NY, April 6, 2016 – February 12, 2017
“Art from Los Angeles: 1990 – 2010”, Studio Guenzani, Milan, Italy, March 21 – May 20, 2016
“Dont’ Look Back: The 1990s at MOCA”, Museum of Contemporary Art, Los Angeles, CA, March 12 – July 11, 2016
“Illumination”, Louisiana Museum of Modern Art, Humlebæk, Denmark, March 1 – September 11,2016; catalogue
“Still Life with Fish: Photography from the Collection”, Hammer Museum, Los Angeles, CA, February 13 – May 15, 2016
“Fuck! Loss, Desire, Pleasure”, ONE National Gay & Lesbian Archives, Los Angeles, CA, January 29 – March 19, 2016
2015
“NO MAN’S LAND: Woman Artist from the Rubell Family Collection”, Rubell Family Collection, Miami, FL, December 2, 2015 – May 28, 2016; catalogue
“Blind Architecture”, curated by Douglas Fogle, Thomas Dane Gallery, London, UK, November 20, 2015 – January 9, 2016
“Camera of Wonders”, Foto México 2015, Centro de la Imágen, Mexico City, Mexico, October 27, 2015 – February 14, 2016; travels to Museo de Arte Moderna de Medellín, Medellín, Colombia, April 20 – June 26, 2016; Casa Fraçça-Brazil, Rio de Janeiro, Brazil, Winter 2016; catalogue
“Immersed”, Linda Pace Foundation, San Antonio, TX, October 3 , 2015 – February 27, 2016
“The Great Mother”, curated by Massimiliano Gioni, Fondazione Nicola Trussardi, Palazzo Reale, Milan, italy, August 25 – November 15, 2015; catalogue
“Collecting and Sharing: Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art, Hood Museum of Art”, Dartmouth College, Hanover, NH, August 22 – December 6, 2015
“The Art of Our Time”, Museum of Contemporary Art, Los Angeles, CA, August 15, 2015 – April 30, 2016
“On the Domestic Front: Scenes of Everyday Queer Life”, Leslie-Lohman Museum of Gay and Lesbian Art, New York, NY, August 14 – December 6, 2015; catalogue
“Perfect Likeness: Photography and Composition”, Hammer Museum, Los Angeles, CA, June 21 – September 13, 2013; catalogue
“Twentieth Anniversary Exhibition”, Stephen Friedman Gallery, London, UK, June 13 -  July 18, 2015
“Residue: The Persistence of the Real”, Vancouver Art Gallery, Vancouver, Canada, June 12 – September 27, 2015
“Storylines: Contemporary Art at the Guggenheim”, Guggenheim Museum, New York, NY June 5 – September 9, 2015
“Art AIDS America”, West Hollywood Library and One Archives Gallery and Museum, Los Angeles, CA, June 1 – September6, 2015, travels to Tacoma Art Museum, Tacoma, WA, October 3 – January 10, 2016; Zuckerman Museum of Art, Kennesaw, GA, February 10 – May 22, 2016; The Bronx Museum of Arts, New York, NY, July 13 – September 25, 2016; Alphawood Gallery, Chicago, IL, December 1, 2016 – April 2, 2017; catalogue
“A Brief History of Humankind: From the Collections of the Israel Museum”, The Israel Museum, Jerusalem, Israel, May 1, 2015 – January 2, 2016
“America is Hard to See”, Whitney Museum of American Art, New York, NY, May 1 -  September 27, 2015
“Homespun”, Seaver Art Gallery, Marlbourough School, Los Angeles, CA, Aprile 27 – May 29, 215
“The Seven Deadly Sins: Lust”, Hudson Valley Center for Contemporary Art, Peekskill, NY, April 19 – July 26, 2015
“The Blue of Distance”, Aspen Art Museum, Aspen, CO, April 10 – June 28, 2015; catalogue
“FRAMING DESIRE: Photography and Video”, Modern Art Museum of Fort Worth, Fort worth, TX, February 21 – August 23, 2015
“HE: The Hergott Shepard Photography Collection”, University of Michigan, Museum of Art, Ann Arbor, MI, February 14 – June 14, 2015
“Come As You Are: Art of the 1990s”, Montclair Art Museum, Montclair, New Jersey; travelling to Telfair Museums, Savannah, Georgia; University of Michigan Museum of Art, Ann Arbor, Michigan; Blanton Museum of Art, University of Texas, USA, 2015-2016.
“On the Domestic Front: Scenes of Everyday Queer Life”, Leslie-Lohman Museum of Gay and Lesbian Art, New York
“Perfect Likeness: Photography and Composition”, Hammer Museum, Los Angeles, CA
“Residue: The persistence of the Real”, Vancouver Art Gallery Vancouver, Canada
“America is Hard to See”, Whitney Museum of American Art, New York
“SELF: Portraits and Artists in Their Absence”, National Academy Museum, New York
2014
Being Here and There, Museum of Art and History Lancaster, Lancaster, CA, november 22, 2014 – January 11, 2015
Exposure: An Art Exhibition of Contemporary Photography, Robert and Elaine Stein Galleries, Wright State University, Dayton, Ohio, September 2 – October 2, 2014
After Our Bodies Meet: From Resistance to Potentiality, The Leslie+loHMAN museum of Gay and Lesbian Art, June 5 – August 3, 2014, New York, NY
The Douglas Nielsen Collection, Center for Creative Photography, Tucson, AZ, August 9, 2014
Game Changer, Boulder Museum of Contemporary Art, Boulder, CO, July 17 – September 14, 2014
Fan the Flames, Art Gallery of Ontario, Toronto, Ontario, June 18 – September 14, 2014
The Heart of Los Angeles, Union Station, Los Angeles, CA, April 30, 2014 – 2015
Paces Gems: Selections from the Linda Pace Foundation Permanent Collection, Linda Pace Foundation, San Antonio, TX, April 18 – September 13, 2014
2013
The Gender Show, Gorge Eastman House, Rochester, NY, June 8 – October 13, 2013
I, You, We, Whitney museum of American Art, New York, NY, April 25 – September 1 , 2013
Ballet of Heads: The figure in the Collection, University of California, Berkeley Art Museum and Pacific Film Archive, Berkeley, CA, May 17 – August 25 , 2013
Lens Drawing, curated by Jens Hoffmann, Galerie Marian Goodman, Paris, France, June 29 – August 2, 2013
2012
Au Grand Palais, Paris Photo, Paris France, november 15-18, 2012
101 Collection: Route 3, CCA Wattis Institute for Contemporary Arts, San Francisco, CA january 19 – February 25, 2012
2011
“Politics is Personal,” Stonescape, Napa Valley, CA, July 2011
2010  
“The City Proper,” curated by James Welling, Margo Leavin Gallery, Los Angeles, CA, November 20, 2010 January 15, 2011
“The Artist’s Museum,” Museum of Contemporary Art Los Angeles, Los Angeles, CA, October 31, 2010-January 31, 20112
“Hide/Seek: Difference and Desire in American Portraiture,” National Portrait Gallery, Washington, DC, October 30- February 13, 2011, cat.
“IMAGE. ARCHITECTURE. NOW.” curated by Audrey Landreth, Julius Shulman Institute, Woodbury University, Burbank, CA, October 9, 2010
“Decadence Now! Visions of Excess,” Exhibition Hall of Museum of Decorative Arts and Galerie Rudolfinum, Prague, Czech Republic, September 30, 2010- January 2, 2011
“Trust,” Media City Seoul, Seoul Museum of Art; travels to Gyeonhuigung Annex of Seoul Museum of Art, Seoul Museum of History, and the Simpson Memorial Hall, September 7 – November 17, 2010
“Degrees of Separation: Contemporary Photography from the Permanent Collection,” San Jose Museum of Art, CA, July 22, 2010 – March 14, 2011
“Housed,” The Alice Austen House Museum, Staten Island, NY, July 1 – September 5, 2010
“Swell, Art 1950 – 2010,” Friedrich Petzel Gallery, Metro Pictures, and Nyehaus Galleries, New York, June 30 – August 6, 2010
“Ars Homo Erotica,” National Museum in Warsaw, Poland, June 11 – September 5, 2010, cat.
“Mixed Use, Manhattan: Photography and Related Practices 1970s to the present,” Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain, June 10 – September 27, 2010, cat.
“The Tattoo Show,” The Lesbian, Gay, Bisexual, and Transgender Community Center, New York, NY, June 3- September 7, 2010
“15 Minutes of Fame: Portraits from Ansel Adams to Andy Warhol,” Orange County Museum of Art, Newport Beach, CA, May 2- September 19, 2010
“Coastlines: Images of Land and Sea,” Dallas Museum of Art, Dallas, TX, April 25- August 22, 2010
“On the Road: A Legacy of Walker Evans,” Robert Lehman Art Center at Brooks School, North Andover, MA, April 2- June 12, 2010
“Contemporary Urban Panoramas: Los Angeles, New York, Reykjavik,” Center for Photographs at the J. Paul Getty Museum, Los Angeles, CA, February 2 – June 6, 2010
“Hard Targets,” Wexner Center for the Arts, Columbus, Ohio, January 29 – April 11, 2010
“R for Replicant,” 101 Collection: Route 1, CCA Wattis Institute for the Arts, San Francisco, CA, January 19 – April 10, 2010
2009
“Creating Identity: Portraits Today,” 21c Museum, Louisville, KY, September 8, 2009 April 10, 2010
“Bitch is the New Black: Curated by Emma Gray,” Honor Fraser Gallery, Los Angeles, CA, July 11 – August 29, 2009
“Underwater,” Western Bridge, Seattle, May 22 – August 2, 2009
“The Art of Caring: A Look at Life Through Photography,” New Orleans, Museum of Art, New Orleans, LA, May 16 – August 12, 2009
“Everywhere: Sexual Diversity and Policies in Art,” Santiago de Compostela, Centro Galego de Arte Contemporanea, May 14 – September 20, 2009
“Creating Identity: Portraits Today,” 21c Museum and International Contemporary Art Foundation. Louisville, KY, August 2009 – April 2010.
“Worlds Away: New Suburban Landscapes,” Yale School of Architecture, New Haven, April 16 – May 10, 2009
“sh(OUT): Human Rights and Contemporary Art,” Gallery of Mo5dern Art, Glasgow, April 8, 2009 – November 1, 2009
“Los Angeles,” The Annenberg Space for Photography, Los Angeles, March 27-June 28, 2009
“Into the Sunset: Photography’s Image of the American West,” organized by Eva Respini, Museum of Modern Art, New York, NY, March 29 – June 8, 2009
“Mixed Signals: Artists Consider Masculinity in Sports,” Cranbrook Art Museum, Michigan, February 1 – March 29, 2009
2008   
“Road Trip,” San Jose Museum of Art, San Jose, September 19, 2008 – January 25, 2009
“Other People: Portraits from the Grunwald and Hammer Collections,” curated by Gary Garrels, Hammer Museum, Los Angeles, November 26 , 2008 – March 22, 2009 “Role Models: Feminine Identity in Contemporary American Photography,” National Museum of Women in the Arts in DC, October 17, 2008 – January 25, 2009
“Listen Darling…The World is Yours,” curated by Lisa Phillips, Ellipse
Foundation, Cascais, Portugal, October
“War as a Way of Life,” Campbell, Clayton, 18th Street Arts Center, Santa Monica, CA,September 27 – December 19, 2008
“Kiki: The Proof is in the Pudding,” curated by Kevin Killian and Oolter Jacobsen,Ratio 3 Gallery, San Francisco, June 27 – August 2, 2008
“Idle Youth,” curated byRussell Ferguson, Gladstone Gallery, New York, June 26 –August 15, 2008
“This Side of Paradise: Body and Landscape in Los Angeles Photographs,” The
Huntington Library, Art Collections, and Botanical Gardens, San Marino CA,
May 1 – October 20, 2008
“In Repose: An exhibition from the collection of Debra and Dennis Scholl, Miami Beach, Florida,” curated by Lorie Mertes, The Galleries at Moore, Goldie Paley Gallery Philadelphia, PA, January 26 – March 14, 2008; cat.
2007  
“Knocking the Door,” curated by Chison Kang, International Incheon Women Artists’ Biennale, November 10 December 10, 2007, catalogue
“Glass Love: Contemporary Art and Surf,” Santa Barbara Contemporary Arts Forum,November 17, 2007 – January 13, 2008
“Refugees of Group Selection,” Franklin Parrasch Gallery, New York, NY, September 18 – October 27, 2007
“All the More Real: Portrayals of Intimacy And Empathy,” co-curated by Robert Lehman and Eric Fischl, Parrish Art Museum, Southampton, New York August 12 – October 14, 2007; cat.
“Passion Complex: Secelted Works from the Albright Knox Art Gallery,” 21st Century Museum of Contemporary Art, Kanazawa, Japan, August 1 – November 11, 2007
“Darling, take Fountain,” curated by Konstantin Kakanias, Kalfayan Galleries,
Athens, Greece, June 1 – September 29, 2007
“Kiss Kiss Bang Bang: 45 Years of Art & Feminism,” Museo de Bellas Artes de Bilbao, Spain, June 22 – September 9, 2007
“Global Feminisms,” Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, Brooklyn, New York, March 23 – July 1, 2007; cat.
“Pretty Baby,” Modern Art Museum of Fort Worth, Texas, February 25 – May 27, 2007
“Multiple vantage points: Southern California Women Artists”, 1980-2006, Municipal Art Gallery at Barnsdall, Los Angeles, CA, February 11 – April 29, 2007
“Family Pictures,” Guggenheim Museum, New York, NY, February 9 – April 16, 2007
“Hammer Contemporary Collection,” Hammer Museum, Los Angeles, CA, January 16 – April 8, 2007
2006  
“Red Eye: L.A. Artists from the Rubell Family Collection,” Rubell Family Collection, Miami, FL, December 46, 2006 – May 31, 2007; cat.
“The Unhomely: Phantom Scenes in Global Society,” curated by Okwui Enwezor, Second International Biennial of Contemporary Art, Seville, Spain, October 26, 2006 – January 15, 2007; cat.
“Couples Discourse,” Palmer Museum of Art, The Pennsylvania State University, University Park, PA, October 10 – December 22, 2006; cat.
“Sixteen Tons: UCLA Department of Art Faculty,” New Wight Gallery, University of California, Los Angeles, CA, September 14 – October 26, 2006
“The Eighth Square: Gender, Life and Desire in Art Since 1960,” Museum Ludwig Köln, Germany, August 19 – November 12, 2006
“Photographs That I Love,” curated by Patricia R. Faure, Patricia Faure Gallery, Santa Monica, CA, July 22 – August 26, 2006
“Still Points of the Turning World: SITE Santa Fe’s Sixth International Biennial,” curated 4by Klaus Otttmann, SITE Santa Fe, New Mexico, July 9, 2006 – January 7, 2007
“The Last Time They Met,” Stephen Friedman Gallery, London, England, April 28 – May 27, 2006
“Work Zones: Three Decades of Contemporary Art from San Francisco Art Institute,” San Francisco Art Institute, May 11 – July 29, 2006
“Step Into Liquid,” Museum of Contemporary Art, Denver, CO, January 27 – May 28, 2006
“Dark Places,” Santa Monica Museum of Modern Art, Los Angeles, CA,
January 21- April 22, 2006
“Skin Is a Language,” Whitney Museum of American Art, New York, New York, January 12 – May 21, 2006
2005  
“Literally and Figuratively. Photographic Portraits,” The Montreal Museum of Fine Arts, Montreal, Quebec, Canada, December 15, 2005 – May 21, 2006
“Frontiers: Collecting the Art of Our Time,” Worchester Art Museum, Worchester, Massachusetts, November 13, 2006 – February 12, 2006
“The New City: Sub/Urbia in Recent Photography,” curated by Tina Kukielski, Whitney Museum of American Art, New York, NY, September 30, 2005 – January 15, 2006
“Family Pictures: Contemporary Photography, and Video from the Collection of the Guggenheim Museum,” organized by Jennifer Blessing, Galleria Gottardo in Lugano, Switzerland, September 28 – December 23, 2005; cat.
“Ideal Worlds: New Romanticism in Contemporary Art,” curated by Max Hollein and Martina Weinhart, Schirn Kunsthalle Frankfurt, Germany, May 12 – August 28, 2005
“Anniversary Exhibition,” Stephen Friedman Gallery, London, March 29 – April 23, 2005
“Bidibidobidiboo,” Foundazione Sandretto Re Rebaudengo, Turin, Italy, 2005, catalogue
“Farsites: Urban crisis and domestic symptoms in recent contemporary art,” curated by Adriano Pedrosa, Centro Cultural, Tijuana/San Diego Museum of Art, San Diego, CA, August 26 – November 13, 2005
“Vanishing Point: Hidden Beauty in Contemporary Art,” Israel Museum, Jerusalem, Israel April 12 – November 5, 2005
“Getting Emotional,” Institute of Contemporary Art, Boston, MA, May 18 – September 5, 2005
“Universal Experience: Art, Life, and the Tourist’s Eye,” curated by Francesco Bonami, MCA, Chicago, IL, February 12 – June 5, 2005; cat.
“Contemporary Photography and the Garden: Deceits and Fantasies,” organized by the American Federation of Arts, travels to The Middlebury College Museum of Art, Middlebury, VT, January 20– April 17, 2005; The Parrish Art Museum, Southampton, NY, May 22 – July 17, 2005; Columbia Museum of Art, Columbia, SC, October 21, 2005 – January 2, 2006; Tacoma Art Museum, Tacoma, WA, January 14 – April 30, 2006; Cheekwood Museum of Art, Nashville, TN, May 13 – August 20, 2006; TBD, September 15 – December 10, 2006; Hudson River Museum Yonkers, NY, January 5 – April 1, 2007; Delaware Museum of Art, Wilmington, DE, June – September 2007
2004  
“26th Sao Paulo Biennial,” curated by Alfons Hug, Pavilhao Ciccillo Matarazzo, Parque do Ibirapuera, Sao Paulo, Brazil, September 25 – December 19, 2004
“The Leopard Spots: Between Art, Performance, and Club Culture,” 18th Street Arts Center, Santa Monica, CA, August 7 – October 16, 2004
“That Bodies speak, has been known for a long time,” Generali Foundation, Wien,Austria, January 25-April 25 2004
“The Whitney Biennial,” The Whitney Museum of American Art, New York,
NY, March 10-May 30, 2004
“100 Artists See God,” Curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 – June 27, 2004; Laguna Art Museum,
Laguna Beach, CA, July 25 – October 3, 2004;
Institute of Contemporary Art, London, England, November 19 – January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 – September 4, 2005, cat.
2003     
“Inaugural Exhibition,” Regen Projects, Los Angeles, CA, January 25 – March 8, 2003
“Intimates,” Angles, Los Angeles, CA, August 9-September 13, 2003
“Art, Lies and Videotape,” Tate Liverpool, UK, November 14 – January 25, 2004
“Still Life, Still Here,” Armory Center for the Arts, Pasadena, CA,
June 29-August 31, 2003
“Phantom of Desire: Visions of Masochism in Art,” Neue Galerie Graz und
Stadtmuseum Graz, Graz, Austria. April 26–August 24, 2003
“Site Specific,” curated by Julie Rodrigues Widholm, Museum of Contemporary Art, Chicago, IL, May 31 – August 31, 2003
“Portraiture,” Karyn Lovegrove Gallery, April 26 – May 24
“Micropolitics I. Art and Everyday Life: 2001 – 1989,” Espai d’Art
Contemporani de Castelló, January 10 – March 30, 2003
“Elegy: Contemporary Ruins,” Museum of Contemporary Art, Denver, CA,
January 24 – May 25, Curated by Katharine Smith-Warren
“Imperfect Innocence,” Contemporary Museum, Baltimore, MD, January 11 – March 11
“Phantom of Pleasure,” Neue galerie am Landesmuseum Joanneum, Graz, Austria, April 26 – August 24, cat.
“Just Love Me: Post Feminist Art of 1990s from Goetz Collection,” Bergen Kunstmuseum, Bergen, Germany, August 22-October 26, 2003; Fries Museum, Leeuwarden, Germany, April 24-June 14, 2004, cat.
“5 Year < Retro,” Conner Contemporary Art, Washignton, D.C., December 5, 2003-January 31, 2004
2002 
“Majestic Sprawl: Recent Los Angeles Photography,” Pasadena Museum of California Art, Pasadena, CA, September 21 – December 21
“Die Wohltat Der Kunst – Post/Feministische Positionen der 90er Jahre aus der Sammlung Goetz,” Staatliche Kunsthalle Baden-Baden, September 14 – November 10
“Photographic Impulse: Highlights from the Joseph and Elaine Monsen Collection,” Henry Art Gallery, Seattle, WA, July 12 – November 10
“En Route,” Serpentine Gallery, London, September 18 – October 27, cat.
“The Self,” curated by Noriko Fuku, Circulo de Bellas Artes, Madrid, Spain, June 12 – July 7, cat.
“Ghost Image,” Gorney, Bravin & Lee, New York, NY, June 1 – 30
“Parallels and Intersections: Art/Women/California 1950 – 2000,” San Jose Museum of Art, San Jose, CA, June 1 – November 3
“Visions from America: Photographs from the Whitney Museum of American Art, 1940-2000,” curated by Sylvia Wolf, Whitney Museum of American Art, New York, NY, June 27 – Sept. 22
“Hautnah, Die Sammlung Goetz,” Museum Villa Stuck, Munchen, Germany, May 30 – August 18
“Fusion Cuisine,” curated by Katerina Gregos, Deste Foundation, Centre for Contemporary Art, Athens, Greece, June 26 – October 30, cat.
2001   
“EXTRAordinary,” Madison Art Center, Madison, WI, December 2 – February 24, 2002
“fe/male,” Plakat-Intervention U-Bahnstation, Braunschweiggasse, Vienna, Austria, August 1 – 31
“The “O” Portfolio,” Domestic Furniture, Los Angeles, CA, May 19 – August 25
“The Great Wide Open,” The Huntington, San Marino, CA, June 14
“Open City Street Photographs Since 1950,” Musuem of Modern Art Oxford, Oxford, Co-curators Kerry Brougher, and Russell Ferguson, May 6 – July 15; travels to The Lowry, Salford Quays, Manchester, U.K., Oct. 20 – January 3, 2002; Museo de Bellas Artes de Bilbao, Bilbao, Spain, January 21, 2002 – April 28, 2002; Hirshhorn Museum and Sculpture Garden, Washington D.C., June 20, 2002 – September 8, 2002
“The Slide Area,” curated by Terry R. Myers, James Van Damme Gallery, Brussels, Belguim, February 16 – March 3, 2000
“Before They Became Who They Are,” Kravets/Wehby Gallery, New York, NY, curated by Norman Dubrow, January 13-February 10, 2001
“Beyond Boundaries: Contemporary Photography in California,” Ansel Adams Center, Friends of Photography, San Francisco, CA, January 26 – March 25
“Uniforme / Ordine e Disordine,” , curated by Francesco Bonami, Pitti Images Florence, Italy, January 11, – February 18, 2001, traveled to P.S.1 Contemporary Art Center Museum of Modern Art, Long Island City, NY, May 20 – September 23, 2001
2000 
“Made in California: Art, Image, and Identity, 1900 – 2000,” Los Angeles County Museum of Art, Los Angeles, November 12, 2000 – February 25, 2001, cat.
“Magnetic North,” curated by Jenny Lion,Walker Art Center, Minneapolis, MN,
October 2000: Canadian Premiere, Winnipeg, Manitoba, November 2000, cat.
“Beyond Boundaries: Contemporary Photography in California,” University Art Museum, California State University Long Beach, CA, June 20 – August 6, 2000; Santa Barbara Contemporary Arts Forum, November 11 – December 17, 2000;The Friends of Photography, San Francisco, January 23 – April 29, 2001
“Catherine Opie & John Kirchner,” Conner Contemporary Art, Washington, DC
“Escape_Space,” Ursula Blickle Stiftung, Karlsruhe, Germany, brochure
“Sites Around the City: Art and Environment,” ASU Art Museum, Arizona,
March – April, 2000, cat.
“Age of Influence,” Museum of Contemporary Art, Chicago, IL, April 8 – December, 2000
“Representing,” The Parrish Art Museum, Southampton, New York, March 4 – April 27, 2000
“L.A.,” Monika Spruth & Philomene Magers, Koln, Germany, March 5 – April 22, 2000
“L.A.- ex,” Museum Villa Stuck & Marstall, Munich, Germany, April 12 – June 12, 2000
“L.A.,” Ileana Tounta Contemporary Art Center, Athens, Greece, November 20, 2000 – January 5, 2001
“Drive: power>progress>desire,” Govett-Brewster Gallery, New Plymouth,
New Zealand, February 12 – April 30, cat.
“Rear View Mirror: Automobile Images and American Identities,” curated by Kevin Jon Boyle,University of California at Riverside Museum of Photography, Riverside, CA, cat.
“The California Invitational,” Ansel Adams Center for Photography,
San Francisco, CA
“AutoWerke,” Deichtorhallen, Hamburg, Germany
1999  
“Los Angeles,” Philomene Magers Projektes & Maxmilian Verlag, Munich, Germany
“The American Century: Art and Culture, 1900-2000,” Whitney Museum of
American Art, New York, NY, September 23, 1999 – February 27, 2000
“Foul Play,” Thread Waxing Space, New York, NY, September 30 – November 20
“The Modernist Document,” curated by Nancy Shaw, Leonard & Bina Ellen Art Gallery, Concordia University, Montreal, Canada, September 9 – October 16
“Plain Air,” Barbara Gladstone Gallery, New York, NY, July – August
“Defining Eye: Women Photographers of the Twentieth Century,” UCLA Hammer Museum of Art, June 2 – August 22
“Signs of Life,” Melbourne International Biennial, The Ian Potter Museum of Art, The University of Melbourne, Australia, curated by Juliana Engberg, May 14 – June 27, cat.
“Drive-By: New Art from LA,” South London Gallery, London, England, curated by Sadie Coles, April 20-May 30; traveled to Cornerhouse, Manchester, England, June 26 – August 8
“Collectors Collect Contemporary: 1990 – 99,” The Institute of Contemporary Art, Boston, MA, curated by Jessica Morgan
“Jerome Caja: Paintings from the Smithsonian Institution Archives of American Art,”
California State University, Fullerton, CA, curated by Signe J. Cook,
February 7 – February 21, 1999, cat.

BIBLIOGRAPHY

Selected Monographs:

2015
Als, Hilton, Tim Mendelson, Catherine Opie, and Ingrid Sischy, 700 Nimes Road, published by Prestel, New York, NY, 2015

2011
Kelsey, John and Brian Phillips, ed., Rodarte, Catherine Opie, Alec Soth, published by
JRP Ringier: Zürich, Switzerland, 2011.
Myles, Eileen, Catherine Opie: Inauguration, published by Gregory R. Miller & Co., New York, NY, 2011.
Medvedow, Jill and Anna Stothart, Catherine Opie: Empty and Full, published by Hatje Cantz, Ostfildern, Germany, 2011.

2008
Catherine Opie: An American Photographer, published by the Guggenheim Museum,
New York, NY, 2008.

2006
Catherine Opie: Chicago (American Cities), curated by Elizabeth T.A. Smith, published
by Museum of Contemporary Art, Chicago, IL, 2006.
Catherine Opie: 1999 / In and Around Home, published by The Aldrich Contemporary Museum of Art, Ridgefield, CT, and the Orange County Museum of Art, Newport Beach, CA, 2006.

2002
Catherine Opie: Skyways and Icehouses, essay by Douglas Fogle, published by the
Walker Art Center, Minneapolis, MN [ill.].

2000
Catherine Opie, essays by Kate Bush, Joshua Decter & Russell Ferguson, published by the
Photographer’s Gallery, London, UK, 2000.
Catherine Opie: In between here and there, essay by Rochelle Steiner, published by the Saint Louis Art Museum, St. Louis, MO, 2000 [ill.].
Currents 82: Catherine Opie, published by the Saint Louis Art Museum, St. Louis, MO, October 6 – November 26, 2000 [ill.].

1998
Cantor, Ellen and Joachim Koester, Lost Paradise: Catherine Opie, curated by Alexandre
Melo, Presenca Galeria, Porto, Portugal, 1998 [ill.].

1997
Emerson, Stephanie, ed., Catherine Opie, essays by Elizabeth A.T. Smith and Colette
Dartnall, published by the Museum of Contemporary Art, Los Angeles, Los Angeles, CA, 1997 [ill.].

Selected Catalogues and Publications:

2017
Baker, Simon, Nancy W. Barr, Clément Chéroux, Marc Desportes, and Pascal Ory, Autophoto, published by Fondation
Cartier pour l’Art Contemporain, and Éditions Xavier Barral, Paris, France, 2017, pp. 124 – 125 [ill.]
Manné, Jamie G., ed., and Christine Robinson, Unpacking: The Marciano Collection, published by The Maurice and
Paul Marciano Art Foundation, Los Angeles, CA, and Prestel, New York, NY, 2017, pp. 174 – 177 [ill.]
Sawyer, Drew, Golden State, published by Marianne Boesky Gallery, New York, NY, 2017, p. 20 [ill.]

2016
Daniella Rose King, Viktor Neumann, Samuele Piazza, and Kari Rittenbach, On Limits:! Estrangement in the Everyday, published by Whitney Museum of American Art, New York, NY, 2016, pp. 18 – 20 [ill.]
Buckland, Gail, Who Shot Sports: A Photographic History, 1843 to the Present, published by Alfred A. Knopf, New York, NY, 2017
Beshty, Walead, Devon Bella, Michele Fiedler, Julieta González, and Jens Hoffmann, Camera of Wonders, published by Mousse Publishing, Milan, Italy, 2016

2015
Brown, Jane, Marla Hamburg Kennedy, Ed Ruscha, and David L. Ulin, Both Sides of Sunset: Photographing Los Angeles, published by Metropolis Books, New York, NY, 2015, pp.  30, 132 – 133, 208 – 209 [ill.]
Frickman, Linny, Jill Hartz, and Danielle M. Knapp, eds., Scrimmage: Football in American Art from the Civil War to the Present, published by Jordan Schnitzer Museum of Art, Eugene, OR, 2015, pp. 34, 37, 110 [ill.]
Stefanucci, Tracy, ed., Residue: The Persistence of the Real, published by Black Dog Publishing, London, UK, and Vancouver Art Gallery, Vancouver, Canada, pp. 98 – 113 [ill.]
Blessing, Jennifer, Body of Art, published by Phaidon, London, UK, 2015, pp. 72 – 73 [ill.]
Hushka, Rock, and Jonathan David Katz, Art AIDS America, published by Tacoma Art Museum, Tacoma, WA, and University of Washington Press, Seattle, WA, 2015, pp. 96, 103, 157 – 158 [ill.]
Gioni, Massimiliano, ed., The Great Mother, published by Fondazione Nicola Trussardi, Milan, Italy, 2015
Fairbrother, Trevor, Katherine Hart, John T. Kirk, John O’Reilly, Michael R. Taylor, and James Tellin, Collecting and Sharing: Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art, published by Hood Museum of Art, Hanover, NH, 2015
Saslow, James M., Stephen Vider, and Cookie Woolner, On the Domestic Front: Scenes of Everyday Queer Life, published by Leslie-Lohman Gay and Lesbian Art Foundation , Inc., New York, NY, 2015, pp. 21, 48 [ill.]
Ferguson, Russell, Perfect Likeness: Photography and Composition, published by Hammer Museum, Los Angeles, CA, 2015
Writers Respond: Storylines: Contemporary Art at the Guggenheim, published by Guggenheim Museum, New York, NY, 2015
Carson, Anne, Courtenay Finn, and Rebecca Solnit, The Blue of Distance, published by Aspen Art Press, Aspen, CO, 2015
Miller, Dana, and Adam D. Weinberg, Whitney Museum of Art: Handbook of the Collection, published by Whitney Museum of American Art, New York, NY, and Yale University Press, New Haven, CT, 2015, p. 292 [ill.]
Confronting the Abject, William and Stephanie Sick Distinguished Professorship Monograph Series, no. 3: Catherine Opie, essay “Catherine Opie, Portraiture, and the Decoy of the Iconographic” by David J. Getsy, published by The School of the Art Institute of Chicago, Chicago, IL, 2015, pp. 15 – 37 [ill.]
Schwartz, Alexandra, Come As You Are: Art of the 1990s, published by University of California Press, Oakland, CA, 2015
Baker, George, Ann Goldstein, Michael Maltzan, and Shaun Caley Regen, Regen Projects 25, published by Prestel, New York, NY, 2015

2014
Union Station: 75 Years in the Heart of LA, published by Metro, Los Angeles, CA, 2014

2013
Hoffmann, Jens, ed., Lens Drawings, published by Marian Goodman Gallery and Valerio Publishers, Paris, France, 2013.
Doyle, Jennifer, Hold it Against Me: Difficulty and Emotion in Contemporary Art, published by Duke University Press, Durham, NC, 2013.
Sie. Selbst. Nackt., published by Hatje Cantz, Ostfildern, Germany and Museen Böttcherstrasse, Bremen, Germany, 2013, pp. 132 – 133 [ill.]

2012
Rideal, Liz, Self Portrait, published on the occasion of the exhibition by Rosendahls,
Esbjerg, Denmark, 2012.

2011
Wagner, Ethan and Suzanne Modica, Stonescape: Guide to Exhibition 2011, published on
the occasion of the exhibition Politics is Personal, Napa Valley, CA, 2011, pp. 26 –
27.
Collection Vanmoerkerke, published by Rispoli Books, Brussels, Belgium, 2011, pp. 180-181 [ill.].
Maltzan, Michael, No More Play: Conversations on Urban Speculation in Los Angeles and Beyond, essay “Home: Conversation with Catherine Opie,” published by the University of Southern California School of Architecture, Los Angeles, CA, in association with Hatje Cantz Verlag, Ostfildern, Germany, 2011, pp. 46-59.
Wolfe, Ann M., ed., The Altered Landscape: Photographs of a Changing Environment, published by Rizzoli, New York, in conjunction with the exhibition at the Nevada Museum of Art, Reno, NV, 2011.

2010
Katz, Jonathan D. and David C. Ward, Hide/Seek: Difference and Desire in American Portraiture, Smithsonian Books, Washington D.C., 2010 [ill.].
Yoo, Hee-Young, ed., Trust: Media City Seoul 2010, published by Se-Hoon Oh, Seoul, Korea, 2010.
Cooke, Lynne and Douglas Crimp, Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present, published by the Museo Nacional Centro de Arte Reina Sofía: Madrid, Spain, 2010.
Leszkowicz, Pawel, Ars Homo Erotica, published in conjunction with the exhibition at the National Museum in Warsaw, Poland, 2010.
Ryan McGinley Everybody Knows This Is Nowhere, published by Dashwood Books for the exhibition at Team Gallery, New York, NY, March 18 – April 17, 2010.
Costantino, Tracie and Boyd White, eds., Essays on Aesthetic Education for the 21st Century, Rotterdam: Sense Publishers, 2010. pp. 22- 26 [ill.].

2009
En Todas Partes: Políticas de la Diversidad Sexual en el Arte, published by Centro Galego
de Arte Contemporánea, Santiago de Compostela, Spain, 2009, [ill.].
Bedford, Christopher, Mixed Signals: Artists Consider Masculinity in Sports, published by Independent Curators International, New York, NY, 2009.

2008 
Role Models: Feminine Identity in Contemporary American Photography, published by the National Museum of Women in the Arts, Washington, D.C., 2008, pp. 111-115 [ill.].
Goldstein, Ann, Rebecca Morse, Paul Schimmel, eds., This is Not to be Looked At, published by the Museum of Contemporary Art, Los Angeles, Los Angeles, CA, 2008 [ill.].
In Repose, curated by Lorie Mertes, published by the Galleries at Moore, Philadelphia, PA, 2008, p. 27 [ill.].
Bowers, Andrea and Catherine Opie, Andrea Bowers & Catherine Opie (Between Artists), published by A.R.T. Press, New York, NY, 2008.

2007 
2007 International Incheon Women Artists’ Biennale: Knocking on the Door, published
by Incheon Metropolitan City, Korea, 2007, p. 146 [ill.].
Red Eye: L.A. Artists from the Rubell Family Collection, published by the Rubell Family Collection, Miami, Florida, 2007, p. 82 [ill.].
Darling Take Fountain, curated by Konstantin Kakanias, published by Kalfayan Galleries, Athens, Greece, 2007, pp. 56-57 [ill.].
All the More Real: Portrayals of Intimacy and Empathy, published by the Parrish Art Museum, Southampton, NY, 2007, pp. 106-7 [ill.].
Training Your Gaze: A Practical Introduction to Portrait Photography, published by AVA Publishing SA, Switzerland, 2007, pp. 22-3, 90, 92, 93,95 [ill.].
Global Feminisms: New Directions in Contemporary Art, published by the Brooklyn Museum, Brooklyn, NY, 2007, pp. 39, 65, 230, 280 [ill.].
Enwezor, Okwui, ed., The Unhomely: Phantom Scenes in Global Society, published by the 2nd International Biennial of Contemporary Art of Seville, Spain, 2007, pp. 236-7 [ill.].
Karnes, Andrea and Pam Hatley, ed., Pretty Baby, published by the Modern Art Museum of Forth Worth, TX, 2007, pp. 34-5 [ill.].
Multiple Vantage Points: Southern California Artists, 1980-2006, published by the Municipal Art Gallery, Barnsdall Park, Los Angeles, CA, 2007, pp. 64-5 [ill.].

2006 
Holland, Cherene and Amy Milgrub Marshall, eds., Couples Discourse, published by the
Palmer Museum of Art, University Park, Pennsylvania, 2006, pp. 88-89 [ill.].
Vitamin Ph: New Perspectives in Photography, published by Phaidon Press, London, UK, 2006, pp. 200-203 [ill.].
Ellipse Foundation: Contemporary Art Collection, published by Ellipse Foundation Contemporary Art Collection, Cascais, Portugal, 2006 [ill.].
The Eighth Square: Gender, Life, and Desire in the Arts since 1960, published by Hantje Cantz, Ostfildern, Germany, 2006, p. 70 [ill.].
Still Points of the Turning World: Site Santa Fe Sixth International Biennial Exhibition, published by Site Santa Fe, NM, 2006, pp. 151-9 [ill.].
Dark Places, curated by Joshua Decter, published by Santa Monica Museum of Art, Santa Monica, CA, 2006, p. 16 [ill.].
Wolfe, Ann M., Suburban Escape, published by the Center for American Places, Santa Fe, NM, and San Jose Museum of Art, San Jose, CA, pp. 58, 62 [ill.].
Rinder, Lawrence, Art Life, published by Gregory R. Miller & Co., LLC, New York, NY, 2006, p. 58 [ill.].
Nairne, Sandy and Sarah Howgate, The Portrait Now, published by The National Portrait Gallery, London, UK, pp. 15, 20, 148 [ill.].
Schlegel, Eva, L.A. Women, published by Bundeskanzleramt Kunst, Vienna, Austria, 2006, pp. 54-7 [ill.].
Bollen, Christopher and Alix Browne, eds., Artists, photographed by Jason Schmidt, published by Edition 7L, Paris, France, 2006, p. 43 [ill.].

2005
Richer, Francesca, and Matthew Rosenzweig, eds., No. 1: First Works by 362 Artists,
published by D.A.P., New York, NY, 2005, p. 272 [ill.].
Bidibidobidibo, published by the Fondazione Sandretto Re Rebaudengo, Turin, Italy, 2005 [ill.].
Family Pictures: Contemporary Photography and Video from the Collection of the Guggenheim Museum, published by Galleria Gottardo, Lugano, Switzerland, 2005, pp.112-117 [ill.].
Farsites: Urban Crisis and Domestic Symptoms in Recent Cotemporary Art, published by San Diego Museum of Art, San Diego, CA, 2005, pp. 114-5 [ill.].
Baume, Nicholas, Getting Emotional, published by Institute of Contemporary Art, Boston, MA, 2005, p. 102 [ill.].
Ideal Worlds: New Romanticism in Contemporary Art, published by Schirn Kunsthalle Frankfurt with Hatje Cantz, Germany, 2005, pp. 194-215 [ill.].
Universal Experience, published by the Museum of Contemporary Art, Chicago, IL, 2005, p.112, [ill.].
Mahon, Alyce, Eroticism & Art, published by Oxford University Press, Oxford, UK, 2005, pp. 265-7 [ill.].
Kraus, Chris, Jane McFadden, and Jan Tumlir, L.A. Artland: Contemporary Art from Los Angeles, published by Black Dog Publishing, London, UK, 2005, pp. 126 – 129 [ill.].
Lazzari, Margaret and Dona Schlesier, Exploring Art, published by Thomson Wadsworth, Belmont, CA, 2005, p. 213 [ill.].
McDaniel, Craig and Jean Robertson, Themes of Contemporary Art: Visual Art After 1980, published by Oxford University Press, Oxford, UK, 2005, pp. 116-7, 146 [ill.].

2004 
100 Artists See God, curated by John Baldessari and Meg Cranston, published by Independent Curators International, New York, NY, p. 68 [ill.].
26th São Paulo Biennial, curated by Alfons Hug, São Paulo, Brazil, pp. 180-181 [ill.].
Contemporary Photography and the Garden: Deceits and Fantasies, published by Harry N. Abrams, New York, NY, pp. 114-117 [ill.].
Sexes image – pratiques et pensées contemporaines, published by Beaux Arts Paris, France, 2004.
That bodies speak has been known for a long time, published by Sabine Breitwieser for Generali Foundation, Vienna, Austria, 2004.
Whitney Biennial 2004, curated by Chrissie Iles, Shamim M. Momin, and Debra Singer, New York, NY, p. 220 [ill.].
Hamburg Kennedy, Marla and Ben Stiller, Looking at Los Angeles, published by Metropolis Books, New York, NY, pp. 76-7, 92-3 [ill.].

2003 
Art, Lies, and Videotape: Exposing Performance, published by Tate, Liverpool, UK, 2003.
Art and Photography, published by Phaidon, London, UK, p. 124.
Cindy Sherman, published by Serpentine Gallery, London, 2003, p. 18 [ill.].
Family Ties: A Contemporary Perspective, published by Peabody Essex Museum, Salem, MA, 2003, p. 37 [ill.].
Just Love Me: Post Feminist Art of 1990s from Goetz Collection, published by Sammlung Goetz, Munich, Germany, 2003.
Micropolitics: Art and Everyday Life 2001-1968, published by Consorci de Museus de la Comunitat Valenciana, Valencia, Spain, 2003, pp. 284-289 [ill.].
Subjective Realities: Works from the Refco Collections of Contemporary Photography, essay by Dave Hickey, published by Refco Group, Ltd., New York, NY, 2003, p. 182-83 [ill.].
Tu, Hung Q., Structures of Feeling, published by Krupskaya, San Francisco, CA, 2003, [ill.].

2002 
American Visionaries: Selections from the Whitney Museum of American Art, introduction by Maxwell L. Anderson, published by Abrams, New York, NY, 2002, p. 231 [ill.].
Die Wohltat der Kunst, Post/Feministische Positionen der Neunziger Jahre aus der Sammlung Goetz, published by Sammlung Goetz and Staatliche Kunsthalle Baden-Baden, Germany, 2002, pp. 126 – 131 [ill.].
Edward Lucie-Smith, Art Tomorrow, published by Finest S.A/ Editions Pierre Terrail, Paris, France, 2002, p.199 [ill.].
formal social, published in conjunction with the exhibit “formal social,” curated by Carina Plath, Westfalischer Kunstverein, Münster, Germany, 2002.
Fusion Cuisine, published by Deste Foundation, Centre for Contemporary Art, Athens, Greece, 2002, pp. 136-137 [ill.].
Hautnah: Die Sammlung Goetz, published by Museum Villa Stuck, Munich, Germany, p. 66-69, [ill.].
PhotoEspana 2002, published in conjunction with the exhibit “The Self,” curated by Cha Fuku and the International Festival of Photography, Madrid, Spain, 2002.
The Spirit of Family, published by Henry Holt, 2002, pp. 28,72 [ill.].
Wolf, Sylvia, Visions from America Photographs from the Whitney Museum of American Art, essay by Andy Grundberg, published by the Whitney Museum of American Art, New York, NY, 2002.
Gonzalez, Jennifer, “Landing in California,” Art/Women/California: Parallels and Intersections, 1950-2000, published by University of California Press in association with the San Jose Museum of Art, pp. 219-240 [ill.].
Phillips, Sandra S., “Women Artists in California and their Engagement with Photography,” in Art/Women/California: Parallels and Intersections, 1950-2000, pp. 241-256 [ill.].

2001 
Open City: Street Photographs since 1950, published by the Museum of Modern Art
Oxford, Oxford, UK, pp. 18, 168-173, [ill., cover].
Over Exposed: Essays on Contemporary Photography, published by The New Press, New York, NY, 2001.
Bohn-Spector, Claudia and Jennifer Watts, eds., The Great Wide Open: Panoramic Photographs of the American West, published by Merrell Publishers Ltd., London, UK, 2001, pp. 104-107 [ill.].

2000 
Auto Werke, essay by Joshua Decter, published by Hatje Cantz, with support by BMW Financial Services North America, Ostfildern, Germany, 2000, pp. 5-6 [ill.].
Beyond Boundaries: Contemporary Photography in California, published by The Friends of Photography, San Francisco, CA, 2000, p.26 [ill.].
Burke, Gregory and Hannah Scott, eds., Drive power>progress>desire, essays by Giovanni Intra, published by Govett-Brewster Publications, New Plymouth, New Zealand, 2000, p. 46 [ill.].
Frohn, Ursula and Christian Katti, eds., Escape¬_Space, published by Ursula Blickle, Stiftung, Germany, 2000, pp. 106-113 [ill.].
Hammond, Harmony, ed., Lesbian Art in America, published by Rizzoli, New York, NY, 2000, pp. 150-152 [ill., cover].
Made in California: Art, Image, and Identity, 1900 – 2000, Los Angeles County Museum of Art, Los Angeles, CA, 2000, pp. 16, 252-253 [ill.].
Magnetic North, Walker Art Center, Minneapolis, MN and Video Pool Inc., Winnipeg, Canada, October 2000, p. 50 [ill.].
Boyle, Kevin J., ed., Rearview Mirror: Automobile Images and American Identities, published by University of California Riverside Museum of Photography, Riverside, CA, 2000.
Sites Around the City: Art and Environment, published by Arizona State University Fine Arts, Phoenix, AZ, 2000, p. 40 [ill.].
Cortes, Jose Miguel G., ed., Zona F, published by Espai d’ Art Contemporani de Castello, Castello, Spain, 2000.

1999 
Bauer, Silvia, “Beyond the Gender Principle,” in Differences Within Gender Studies, Erich Schmidt Verlag, Berlin, Germany, 1999, pp. 86-105 [ill.].
Shaw, Nancy, ed., The Modernist Document/Le Document Moderniste, published by Leonard & Bina Ellen Art Gallery, Montreal, Canada, Concordia University, Montreal, Canada, and The Canada Council for the Arts, Ottowa, Canada, 1999.

1998 
Artenergie: Art in Jeans, published by Edizioni Charta, Milan, Italy, pp. 104-5 [ill.].
The Edge of Night: Urban Landscape Photography, essay by Susan H. Edwards,
published by Hunter College, New York, NY, 1998.
From the Corner of the Eye, curated by Martijn van Nieuwenhuyzen, Leontine Coelewij and Hripsime Visser, Stedelijk Museum, Amsterdam, Netherlands, 1998 [ill.].
Bonami, Francesco, ed., L.A. Times: Art e da Los Angeles nella Collezione Re Rebaudengo Sandretto, published by Fondazione Sandretto Re Rebaudengo, Turin, Italy, 1998 [ill.]
New Langton Arts, essay by Susan Miller, New Langton Arts, San Francisco, CA, 1998. p. 155 [ill., cover].
Janus, Elizabeth and Marion Lambert, eds., Veronica’s Revenge: Contemporary Perspectives on Photography, LAC, Switzerland, 1998 [ill.].
Borzello, Frances, Seeing Ourselves: Women’s Self-Portraits, Thames and Hudson, London, UK, 1998, pp. 180, 183 [ill.].
O’Dell, Kathy, Contract with the Skin: Masochism Performance Art and the 1970s, University of Minnesota Press, Minneapolis, MN, 1998, pp. 80, 83, 109, 36 [ill.].

1997 
a/drift, curated by Joshua Decter, Center for Curatorial Studies at Bard College, Annandale-on-Hudson, NY, 1997 [ill.].
American Art 1975-1995 from the Whitney Museum: Multiple Identity, Castello di Rivoli, Museo d’Arte Contemporanea, Rome, Italy and Edizioni Charta, Torino, Italy, 1997.
Lahs-Gonzales, Olivia, Defining Eye: Women Photographers of the 20th Century, Saint Louis Art Museum, St. Louis, MO, 1997.
Crenzien, Helle and Lars Nittve, Sunshine & Noir: Art in L.A. 1960-1997, Louisiana Museum of Modern Art, Humlebaek, Denmark, 1997 [ill.].
Rrose is a Rrose is a Rrose: Gender Performance in Photography, Jennifer Blessing and the Guggenheim Museum of Art, New York, NY [ill.].
Sobel, Dean, Identity Crisis: Self-Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, WI, 1997.
Torres, Jose Alvaro Perdice, Cruising L.A., Galeria Soledad Lorenzo, Madrid, Spain, 1997 [ill.].
Marcoci, Roxana, Diana Murphy, and Eve Sinaiko, eds., New, published by Harry N. Abrams, New York, NY, 1997.

1996 
Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, essay by Johanna Drucker, Whitney Museum of American Art, New York, NY, 1996, p. 19 [ill.].
Clearwater, Bonnie, ed., Defining the Nineties: Consensus-Making in New York, Miami, and Los Angeles, Museum of Contemporary Art, Miami, FL [ill.].
Persona, The Renaissance Society at The University of Chicago, Chicago, IL and Kunsthalle Basel, Basel, Switzerland, 1996 [ill.].
Jones, Amelia, ed., Sexual Politics, Hammer Museum, Los Angeles, CA 1996, pp. 35, 225, 261, 224 [ill.].
Snyder, Jill, In the Flesh, Aldrich Museum of Contemporary Art, Ridgefield, CT, 1996, p. 22 [ill.].
Fuku, Noriko, The Now Art Book, published by Shiseido and Korinsha Press & Co., Ltd., Kyoto, Japan, 1996, pp. 109-111 [ill.].
Chadwick, Whitney, Women, Art, and Society, revised and expanded second edition, published by Thames & Hudson, London, UK, 1996, p. 391, 396 [ill.].

1995 
Fabrications, essay by Kim Fullerton, Toronto Photographer’s Workshop, Toronto,
Canada, 1995, [ill.].
feminimasculin: le sexe de l’art, Centre Georges Pompidou, Gallimard/Electra, Paris, France, 1995 [ill.].
Blake, Nayland, Lawrence Rinder, and Amy Scholder, eds., In a Different Light, City Lights Books, San Francisco, CA, 1995 [ill.].
Kertess, Klaus, 1995 Biennial Exhibition, published by the Whitney Museum of American Art and Harry N. Abrams, New York, NY, 1995 [ill.].
La Belle et la Bête, essay by and curated by Lynn Gumpert, Musée d’Art Moderne de la Ville de Paris, Paris, France, 1995 [ill.].
Pervert, essay by Catherine Lord, The Art Gallery, University of California, Irvine, 1995 [ill.].
Neumaier, Diane, ed., Reframings: New American Feminist Photographies, Temple University Press, Philadelphia, PA [ill.].

1994 
Love In the Ruins: Art and the Inspiration of L.A., text and curated by Noriko Gamblin,
Long Beach Museum, Long Beach, CA, 1994 [ill.].
Oh boy, it’s a girl! Feminism in der Kunst, curated by Astrid Wege, essay “Verstreute Notizen,” by Judith Fischer/Uta Laib, Kunstverein, Munich, Germany, 1994, pp. 80-86 [ill.].
Engberg, Juliana, Persona Cognita, texts by Deb Verhoeven, Linda Williams, Margaret Morgan, Museum of Modern Art at Heide, Melbourne, Australia, 1994 [ill.].
Rugoff, Ralph, Transformers, Independent Curators Incorporated, New York, NY, 1994 [ill.].

1993 
Lippard, Lucy, Back Talk: Women’s Voices in the 90s, Museum of Contemporary Arts,
Santa Barbara, CA, 1993.

1992 
Wasteland, Bas Vroege, Rotterdam, Netherlands, 1992.

1991 
Situation, essay by Richard Meyer, “Exceeding the Frame: Recent Production by Lesbian
and Gay Artists,” 1991.

1984
Inside/Out, San Francisco Art Institute, San Francisco, CA, 1984.

Selected Articles and Reviews:

2016
Nakajima, Mio, ed., “Special Talk.“ Bijutsu Techo (April 2016) p. 100 [ill.]
Smith, William S. “Generation X: Catherine Opie on Robert Mapplethorpe.” Art in America (March 31, 2016) [ill.] [online]
McMahon, Katherine. L.A. Habitat: Catherine Opie.” ARTNEWS (March 4, 2016) [ill.] [online]
Mulleavy, Kate and Laura “Sunday Styles: Reflections Of a Photographer.” The New York Times (February 21, 2016) p. 3 [ill.]
Mulleavy, Kate and Laura. “Catherine Opie in Conversation With Rodarte.” The New York Times Style Magazine (February 16, 2016) [ill.] [online]
Newell-Hanson, Alice. “Catherine Opie on Documenting San Francisco’s Lesbian Leather Scene.” i-D (February 10, 2016) [ill.] [online]
Riefe, Jordan. “Catherine Opie’s 700 Nimes Road Review – LA’s Triple-Threat Shines Like a Diamond.” The Guardian (February 9, 2016) [ill.] [online]
Loos, Ted. “The Witness.” Cultured (February/March 2016) pp. 182 – 185 [ill.]
Brisick, Jamie. “Debunking the Iconic.” Malibu Magazine Vol. 14, Issue 1 (February 2016) pp. 80 – 91 [ill.]
Ulaby, Neda. “‘I Do Like To Stare’: Catherine Opie on Her Portraits On Modern America.” NPR (February 2016) [ill.] [online]
Vankin, Deborah. “It’s Her Moment: Fine-arts photographer Catherine Opie has double exposure in Los Angeles this week.” The Los Angeles Times (January 24, 2016) pp. F, F9 [ill., cover]
Slenske, Michael. “Photographer Catherine Opie’s Time Is Now.” The Wall Street Journal (February 2016) pp. 60 – 61 [ill.]
Vankin, Deborah. “A Catherine Opie moment in Los Angeles at MOCA and the Hammer.” The Los Angeles Times (January 22, 2016) [ill.][online]
Helmke, Juliet. “Q&A: Catherine Opie On Her Diverse Body of Work.” Blouin Artinfo (January 10, 2016) [ill.] [online]
Tewksbury, Drew. “Double Take.” Los Angeles Magazine (January 2016) pp. 49 – 50 [ill.]
2015
Mertens, Marion. “Liz Taylor: En toute intimité.” Paris Match (December 31, 2015 – January 6, 2016) pp. 46 – 51 [ill.]
Finkel, Jori. “Cathy Opie Goes to Court.” The Art Newspaper Vol. 25, No. 274 (December 2015) pp. 1, 4 [ill.]
Bloor, Oliver, Gabe Ramirez, and Fiona Sinclair Scott. “Catherine Opie: The ‘Pervert’ who photographed Elizabeth Taylor’s home.” CNN (October 29, 2015) [ill.] [online]
Schilling, Mary Kaye. “Love Story.” Town & Country (October 2015) pp. 85-86 [ill.]
Nelson, Karin, “In the Closet.” W Magazine (October 2015) p. 148. [ill.]
Oltuski, Romy. “Inside the World of Elizabeth Taylor.” Harper’s Bazaar (September 2015) p. 508 [ill.]
Opie, Catherine. “At Home with Ms Taylor”. Financial Times Weekend Magazine (August 8 – 9, 2015) pp. 22 – 29 [ill.]
“Regensbuger, Jeff. “Review: Catherine Opie: Portrais and Landscapes”. Columbus Underground (June 21, 2015) [ill.] [online]
Harris, Marl. “Criticts’ Picks: Catherine Opie”. Artforum (June 2015) [ill.] [online]
“Catherine Opie:‘Portraits and Landscapes‘at the Wexner Center for the Arts”. Starr Review (May 24, 2015) [ill.] [online]
Tigges, Jesse, “Studio Proof: Catherine Opie deviates and wows”. Columbus Alive (May 21, 2015) [ill.] [online]
Meyer, Richard. “Museum Previews:’Catherine Opie: Portraits and Landscapers”, Artforum (May 2015) [ill.] [online]
Opie, Catherine.” Queer Photography?”, Aperture (Issue 218, Spring 2015) pp 30.31 [ill.]
2014
Berardini, Andrew, After School II Los Angeles. Art Review(May 2014) pp. 88-89
Bodin, Claudia. Die Welt einer Ikone. Art Das Kunstmagazin (May 2014) pp 32-39
Perret Dorothee, “Optic Nerve: Catherine Opie in Conversation withDorothee Perret”, Paris, LA, Issue 11 (Sprin 2014) pp. 4 – 19 (cover).
Meyer, Richard, “Star Turn”, Artforum Vol. 52, No. 5 (January 2014) p. 156 – 165 [ill.]
2013
Dabkowski, Colin, “CEPA’s ‘Art of Sport’ A scattered Look Into Sport Culture”, The Buffalo News, October 3, 2013, [ill.]
Cooper, Ashton, “Baldessari, Kruger, Opie, Ruscha Join L.A. MOCA Director Search Commitee”, Blouin Artinfo, September 25, 2013
Bohem, Mike, “MOCA Adds Artist Who Resigned from Boars to Its Director Search Team”, Los Angeles Times, September 24, 2014
Blanch, Andrea, “Interview With Catherine Opie”, Musée Magazine, July 24, 2013
Fried, Laura, “Feel This Now: Jennifer Doyle’s “Hold It Against Me”, Los Angeles Review of Books, June 19, 2013
Black, Ezra Jean, “Catherine Opie: Regen Projects,” Artillery Magazine, May 2013, Vol 7 Issue 5, p. 47
Walker, Alissa, “Catherine Opie Discusses her Three LA Art Exhibitions,” LA Weekly, March 14, 2013
Nyad, Diana, “Catherine Opie: A Life of Total Immersion,” HuffPost Arts & Culture, February 22, 2013
Myers, Holly, “Catherine Opie Reveals a Remarkable Range at Regen Projects,” Los Angeles Times, March 7, 2013
Mohseni, Yasmine, “A Q + A with Catherine Opie About Her Bold New Body of Work at Regen Projects,” ArtInfo, March 15, 2013
Boone, Lisa, “Catherine Opie: ‘In & Around LA’ Opens at Hollywood Gallery, Los Angeles Times, February 19, 2013
Merrick, Heidi, “Shooting Star,” Foam Magazine, February 2013
Eagan, Maura, “What She Wore,” T Magazine, February 14, 2013
Lower, Jenny, “Eye of the Beholder: Catherine Opie’s 17th Century Experiment,” Los Angeles Magazine, March 6, 2013
Harnish, Tracey, “Catherine Opie: Bearing Witness to the Sublime,” Huffington Post, March 6, 2013
Mizota, Sharon, “Catherine Opie: From the Outside In,” KCET, February 26, 2013
Boone, Lisa, “‘Catherine Opie: In & Around L.A.’ Opens at Hollywood Gallery,” Los Angeles Times, February 18, 2013
Appleford, Steve, “Catherine Opie’s Documentary Photography is on Display,” Los Angeles Times, January 27, 2013
2012
Kothenschulte, Daniel, “Portfolio: Catherine Opie,” Monopol, December 2012
Bryant, Eric, “Catherine Opie”, Art+ Auction, February 2012
Rappolt, Mark, “Catherine Opie: Stephen Friedman Gallery,” Art Review, January & February 2012
Hodge, Brooke, “Seeing Things: Ranch House Romance,” T Magazine, March 1, 2012,

http://tmagazine.blogs.nytimes.com/2012/03/01/seeing-things-ranch-house-romance/?ref=t-magazine

“Catherine Opie,” Goings On About Town, The New Yorker, April 2, 2012
Rosenberg, Karen, “Catherine Opie: ‘High School Football,’” The New York Times, March 29, 2012
2011
Campbell, Andy, “Catherine Opie”, Artforum, July 21, 2011
Smith, Roberta,”This Gay American Life, in Code or In Your Face”, The New York Times, Novermber17, 2011
Baker, Stacey, “How to Revisit an Iconic Photograph”, The ney York Times, September 23, 2011.
Perrazoli, Federica, “Catherine Opie,” Kings Zine, No. 1, (ills.)
Denson, Roger R., “Women’s Art of Renewal: Carrie Mae Weems, Vanessa Beecroft, Sharon Lockhart, Catherine Opie and Lisa Yuskavage,” The Huffington Post, August 23, 2011, http://www.huffingtonpost.com/g-roger-denson/relaying-feminine-codes-c_b_934177.html
Bergeron, Chris, “ART EXHIBIT: Catherine Opie photographs it as she see it,” PatriotLedger.com, April 21, 2011, http://www.patriotledger.com/entertainment/x1410202277/ART-EXHIBIT-Catherine-Opie-photographs-it-as-she-sees-it.
2011
“The Opie Bunch,” Out Magazine, February 2011, 52-53.
Larsen, Mona, “Maskulint-og følsmont,” Dagsavisen (Sweden,) January 15, 2011, 54-55.
Rød, Arve, “Amerikanske Landskaper,” DN lørdag (Norway,) January 15-16, 2011, 78.
Spurkland, Marte, “Amerikansk Fotoball,” DN2, (Norway,) January 14, 2011, 48.
2010  
Row, D.K., “Review: Catherine Opie at the Portland Art Museum and City/County Employee Exhibit,” December 23, 2010, The Oregonian
Buckley, Richard, “L.A. à l’art libre,” Vogue Paris, December 2010, p. 240-247 (ill)
Green, Tyler, “Our Avatars, Ourselves,” Modern Painters, December 2010/January 2011, p. 28 – 29 (ill)
Knight, Christopher, “An L.A. Assembly,” The Los Angeles Times, Monday, November 1, 2010, p. D1 & D6
Bartelik, Marek, “Ars Homo Erotica: National Museum Warsaw,” Artforum, October 2010, p. 294-295
Bradner, Liesl, “Friday Night Lives Captured,” The Los Angeles Times, Sunday, August 22, 2010, p. E2
“Catherine Opie,” D Magazine, La Repubblica, Issue 69, June 12, 2010, pp. D22
“Catherine Opie,” The New Yorker, April 26, 2010, p. 12
Rosenberg, Karen, “Different Angeles on the Portrait,” The New York Times, April 14, 2010, pp.C1 & C5 (ill.)
Breese, Kristine Stiven, “The Strip-Mall Sensibility,” UCLA Hammer Magazine, January 2010, pp. 28-29 (ill).
Costantino, Tracie, and Boyd White, eds. “A Beauty Contest(ed).” Essays on Aesthetic
Education for the 21st Century. Rotterdam: Sense Publishers, 2010. pp. 22- 26 (ill.)
2009   
Kellner, Amy, “Catherine Opie,” Vice, July 2009
Molesworth, Helen, “Social Problem,” Artform, March 2009, p. 101-102
O’Sullivan, Michael, “The Story Behind the Work,” The Washington Post, January 9, 2009, p. WE19
Combs, Chris, “Women’s Work: ‘Role Models’ Plays with Feminism,” expressnightout.com, January 8, 2009
2008
Frolick, Stuart, “Return on Investment: Catherine Opie,” CALARTS Magazine, Fall/Winter 2008, pp. 6-7, ill.
Dykstra, Jean, “Opie: The Community of Difference,” Art in America, December 2008
Schaffer, Johanna, Ambivalenzen der Sichtbarkeit (Uber die visuellen Strukturen der Anerkennung)
Bielfeld, DE: Trannscript Verlag, 2008. p.128-130
Knight, Christopher, “Sitting Pretty: ‘American Photographer’ Gives a Full Portrait of Opie,” The Los Angeles Times, Tuesday, December 9, 2008, E1, E5 (ill.)
Aletti, Vince, “Same Difference,” The New Yorker, November 3, 2008 (ill.)
Schwendener, Martha, “Dykes! Tutus! Off-ramps! The Guggenheim Mounts a Catherine Opie
Catherine Retrospective,” The Village Voice, Tuesday, October 7, 2008,http://www.villagevoice.com/2008-10-08/art/dykes-tutus-off-ramps-the-guggenheim- mounts-a-catherine-opie-retrospective/ (ill.)
Campbell, Clayton, “Catherine Opie: Small Town Girl Making a Big City Statement,” THE Magazine, September 2008, pp. 38-39 (ill.)
Benedictus, Leo, “Catherine Opie’s Best Shot,” The Guardian, Thursday, October 9 (ill.)
Wilton, Khris, “Catherine Opie,” ArtInfo.com, October 3, 2008,http://www.artinfo.com/news/story/28788/catherine-opie (ill.)
Cotter, Holland, “A Retrospective of Many Artists, All of Them One Woman,” The New York Times, p.B29, September 26, 2008 (ill.)
Bedford, Christopher, “Regen Projects, Los Angeles, USA,” Frieze, Issue 117, September, p. 189 (ill.)
“Catherine Opie American Photographer,” The Los Angeles Times, September 7, 2008, F24 (ill.) Burton, Philippa, “You’ve Been Framed,” Diva, September 2008, pp. 37-39, ills
Campbell, Clayton, “ Catherine Opie Regen Projects,” Flash Art, July-September 2008 , p. 250-1, ill.
Schad, Ed, “Catherine Opie Regen Projects,” ArtReview, June 2008, p. 154 (ill.)
“Weekend Hangs,” Angeleno, June, p. 131.
Knight, Christopher, “Stopped at the 50-yard line,” The Los Angeles Times, May 2, 2008, p. E14 &E15, ill.
Kim Beil, “’Glass Love: Contemporary Art and Surf’ at Santa Barbara Contemporary Arts
Forum (SBCAF),” art ltd., March 2008, p. 18
2007   
Olivares, Rosa, et. al., “Uniformes/Uniforms,” Exit: Image & Culture, no. 27, published by Olivares & Associates, S.L., Madrid, Spain, 2007, pp. 91, 177, ills
Keeker, Korry, “Capturing Juneau’s Essence,” Juneau Empire, September 7, 2007, ills
Heartney, Eleanor, “Worldwide Women,” Art In America, June/July 2007, pp. 154-164, ill.
Schjeldahl, Peter, “Women’s Work: Feminist art at the Brooklyn Museum,” The New Yorker, April 9, 2007, pp. 73
Genocchio, Benjamin, “Welcoming Gardens, Whispering ‘Photograph Me,’” The New York Times, March 11, 2007, p. 10, ills
Patterson, Tom, “America: Photos Make You Think About It,” RelishNow, journalnow.com, March 4, 2007.
Scott, Joe, “Home & Away,” Go Triad, www.gotriad.com, March 14, 2007.
2006  
Viegener, Matias, “In and Around Whose Home?,” X-TRA, Winter 2006, pp. 24-27, ills
Sheets, Hilarie M., “Catherine Opie: Gladstone,” ARTnews, November 2006, p. 180, ill.
Colpitt, Frances, “Report from Santa Fe I: A Slow-Motion Biennial,” Art In America,October 2006, pp. 69-75, ills
Saltz, Jerry, “Lonely Hunter,” villagevoice.com, September 21, 2006.
Timberg, Scott, “UCLA Celebrates Its New Art Center,” The Los Angeles Times,
September 14, 2006
Myers, Terry R., “Catherine Opie,” Art Review, September 2006, p. 142, ill.
Kinney, Tulsa, “Exposed: Cathy Opie’s California,” artillery, September 2006, pp. 26-7, 31, ills
Diaz, Karla, “Catherine Opie: Orange County Museum of Art,” Beautiful/Decay, Issue P,p. 42, ills
Knight, Christopher, “Sharp but blurred around the edges,” The Los Angeles Times, August 4, 2006, pp. E1 & E27, ills
Mendenhall, Lauri, “The Power of Portraiture,” Coast, August 2006, pp. 182 & 184, ills
Journal, Jones, Amelia, “Rupture,” 123 Parachute, July – September 2006, pp. 22 & 30, ill.
Journal, “Catherine Opie: Cathy Lebowitz interviews Josefina Ayerza,” Lacanian ink,
#27, Spring 2006, front and back covers, pp. 150-5, ills
Walsh, Daniella, “Picture Imperfect,” The Orange County Register, July 9, 2006
Wang, Jen, “California Visionary,” C Magazine, June/July 2006,
Knight, Christopher, “Classic Paint Job,” The Los Angeles Times, June 21, 2006, p. S32, ill.
_______, “Fabulous Photos of Catherine Opie,” Newport News, June 9, 2006
_______, “Opie photo exhibit debuts at OC Museum of Art,” The Current, June 2, 2006
Dykstra, Jean, “Road Trip,” ArtReview, June 2006, pp. 40-42, ills
Walsh, Daniella, “The Radar Art,” Riviera, May 2006
Genocchio, Benjamin, “More than Meets the Eye: Catherine Opie and Her Camera Find
Beauty in the Mundane,” The New York Times, January 29, 2006, Connecticut Section, ills
2005 
Myers, Holly, “State of the Art 2005: Catherine Opie,” LA Weekly, October 28 –November 3, 2005, p. 52, ill.
Neil, Dan, “What a Rush,” Los Angeles Times Magazine, March 6, 2005, p. 13, ill.
2004  
Sheets, Hilarie M., “Armand Hammer’s Orphan Museum Turns Into Cinderella in Los Angeles,” The New York Times, October 6, 2004, pp. B1 & B9
Gardiner, Virginia, “Suburban Sprawl,” Dwell, September 2004, pp. 140 – 142, ills.
Lee, Cynthia, “Visual Road Trip,” UCLA Magazine, Summer 2004, pp. 14 – 15, ills.
Valdez, Sarah, “Catherine Opie at Regen Projects,” Art in America, May 2004, pp. 170-171, ill.
Ybarra, Michael,”Portraying the Divine,” Los Angeles Times, April 17, 2004, p.B2
Rosenberg, Karen, “Last Shot Hang Ten,” New York Magazine, April 12, 2004, p. 118, ill.
Hainley, Bruce, “Catherine Opie,” ArtForum, April 2004, pp. 164 – 165, ill.

Exley, Roy, “Catherine Opie,” ArtReview, April International Edition, 2004, p. 100,ill.
Green, Tyler, “Artist, Leather Dyke, PTA Mom,” Black Book Progressive Culture,Spring 2004, p. 86-90, ills.
Aletti, Vince, “Show World,” The Village Voice, March 22, 2004
Hoban, Phoebe, “7BRs, Ocn Vu, WrldClass Art,” The New York Times, March 14, 2004,pp. 1 & 30-31
Kimmelman, Michael, “Touching All Bases At the Biennial,” The New York Times,March 11, 2004, pp.E27, E38
Opie, Catherine, “My Favorite Weekend: Catherine Opie,” Los Angeles Times,
March 4, 2004, p. E63, ill.
Williams, Gilda, “Catherine Opie,” Art Monthly, March 4, 2004, p. 28, ill
Young, Paul, “Money, Power and Picasso’s Bathroom,” V Life, February/March 2004,pp. 80 –87, ill.
Miles, Christopher, “Los Angeles Critics’ Picks,” Artforum.com February 2004, ill.
Knight, Christopher, “A curator and her compatriot,” Los Angeles Times, February 20, 2004, p.E2, ill.
Roug, Louise, “She’s the viewfinder,” Los Angeles Times, February 17, 2004, p. E2, ill.
Myers, Holly, “From frozen lakes to Malibu coast,” Los Angeles Times, January 30, 2004,p.E25
McIntosh, Jacqui, “The subtler side of surfing,” The Guardian, January 28, 2004
Gleadell, Colin, “Object of the week,” The Daily Telegraph, January 19, 2004
Evans,Leslie, “Catherine Opie’s Surfers,” westadams-normandie.com, January 13, 2004
Feature Illustration, “L.A. Moment: Ghost Riders,” Los Angeles Magazine, January 2004, p. 24
2003    
Opie, Catherine, “Tempesta Di Ghiaccio.” Case da Abitare, (Italy) December 2003 pp. 15-16, ill.
Sheets, Hilarie, “There’s No Piece Like Home.” ARTnews, December 2003, p. 103, ill.
Fox, Catherine, “’Terrain’ well worth traversing,” The Atlanta Journal-Constitution,
November 30, 2003, p. K6, ills
Key, Philip, “Still Happening Years Later.” Daily Post, London, November 21, 2003
Davis, Laura, “Yoko maps course for Tate.” Daily Post, London, November 6, 2003, p. 3
Opie, Catherine , “The Great Wide Open,” Sleek Magazine, Issue 03, Fall 2003,pp. 67-77, ill.
Muchnic, Suzanne, “Watch Your Step,” ARTnews, Summer 2003, p. 127
Boriani, Glenda, “Micropolitics,” Tema Celeste, issue 96, March/April, 2003, p. 113, ill.
Gluckstern, J. “’Elegy’ Captures the of Formerly Iconic Buildings,” The Daily Camera,February 9, 2003
Voelz Chandler, Mary “Photos Build Art Among Ruins,” Rocky Mountain News,
January 24, 2003
2002   
Muchnic, Suzanne, “With all its hang-ups, the L.A. gallery scene thrives,” Los Angeles Times, November 24, 2002
Vine, Richard, “In Her Image,” Art in America, November 2002, p. 75
Coomer, Martin, “On the Way There”, Time Out London, October 9-16, 2002, p.57
Koroxenidis, Alexandra, “Fusion Cuisine,” frieze, October 2002, p.102
Turner, Jonathan, “Italy’s Mini-Boom,” Artnews, September 2002, p. 90
Denny, Ned, “Enigma of Arrival”, New Statesman London, September 30, 2002.
Russell Taylor, John, “Road from Nowhere”, The Times London, September 25, 2002.Güner, Fisun, “Everyday Drive By Shooting”, The Times London, September 23, 2002.
RCJ, “RCJ’s Best London Shows”, The Times London, September 21, 2002.
Sumpter, Helen, “Get A Move On”, The Big Issue London, September 16, 2002
Andrea Gilbert, Fusion Cuisine, Contemporary Magazine, September 2002, p.88
Boxer, Sarah, “If a Medium Loses its Message, Is it Still a Medium?” The New York Times,August 9, p. B28
Alexandra Koroxenidis, “Through the Eyes of Women,” Herald Tribune, Monday, July 29, 2002.
“Open City: Street Photographs Since 1950,” Journal of the Print World, Summer 2002, pp. 27-29 Garrett, Craig, “PlatinumOasis,” Flash Art, July-September, 2002, p. 58
O’Sullivan, Michael, “Hirshhorn’s Gritty ‘Open City’,” The Washington Post, pp. 45-46
Gopnik, Blake, “Just Point and Shoot. (But Plan First.)” The Washington Post, June 23, 2002, p.G1, G6
Shaw-Eagle, Joanna, “Reflecting on modern society,” The Washington Times, June 22, 2002, pp.D1-D5, ill.
Boxer, Sarah, “The Street Game is to be Distinctive Without Seeming to Work at It,” The New York Times, July 5, 2002
Myers, Holly, “Opie Landscape Photos Put Sentimentality on Ice,” Los Angeles Times, May 24, 2002, p. F26
Drohojowska-Philp, Hunter, “For Her, It’s Always About Community,” Los Angeles Times, Calendar Section, May 12, pp. 53-54, ills.
Frank, Peter, “Catherine Opie, Pick of the Week,” LA Weekly, May 2002, ill.
Herbert, Martin, “Catherine Opie,” teme celeste, March/April 2002, p. 77, ill.
Glover, Michael, “Catherine Opie,” Artnews, April 2002, p. 144, ill.
Pluk, Issue 4, January/February 2002, ills.
Zappaterra, Yolanda, “Catherine Opie, Stephen Friedman,” Time Out, January 9-16, 2002, ill. Tuchman, Phyllis, “Who Is Hot Today?” Town & Country, January 2002, p. 57
Perree, Rob, “Portfolio, Catherine Opie,” Kunstbeeld, n. 3, pp. 27-31, ills.
2001 
Guner, Fisun, “Art Review, Catherine Opie,” Metro, December 6, 2001, ill.
Pinsent, Richard, The Art Newspaper, December 2001, Issue 120, p. 67, ill.
Pinsent, Richard, “Adroitly controlled mise-en-scene at Entwistle,” The Art Newspaper,December 2001, p.67, ill.
Cork, Richard, “Richard Cork’s best London exhibitions, Catherine Opie,” The Times Guide,December 2001, pp. 15-21
Hofer, Manuela, “fe/male Undergroud,” an schlage, August, 2001, pp. 34-35
Lloyd, Ann Wilson, “Art under the Arch,” Art in America, July 2001, p. 43, ill.
“Kunst unterm Regenbogen,” bussi, June 2001, p. 35
Reilly, Maura, “The Drive to Describe: An Interview with Catherine Opie,” art journal,Summer 2001, pp. 82-95, ills
Solomon, Deborah, “Testemaker, New in Town, Dives Into A Caldron,” New York Times May 2, p. 9
Schleifer, Kristen B., “Catherine Opie,” Art On Paper, March-April, p. 90,ill.
Pankratz, Helga, “Blickfang am Bahnsteig,” lambda nachrichten, March 2001, pp. 35-36, ill.
Vincent, Steven, “Alice in Levittown,” Art and Auction, February 2001, pp. 106-112
Wang, Michael, “Catherine Opie,” The Harvard Photography Journal 2001. pp.4-11, ill.
2000   
_____, “Family Business,” Flash Art, November-December 2000,pp. 48, ill.
Gaines, Malik, “Opie’s Opus,” The Advocate, December 19, pp.52, ill.
_____, “Estate Projects,” Art On Paper, December 2000, pp. 27
Lebovici, Elisabeth, “Destabilising Gender,” Make, issue 89, November 2000, pp. 18-19, ill.
Symth, Cherry, “Catherine Opie,” Art Monthly, No. 240, October 2000, pp. 33, ill., cover
Davies, Willis, “The Photographers’ Gallery, London,” Zoom, September-October 2000, ill.
_____, “Opie Eye,” Gay Times, September 2000, ill.
_____, “Altered States of Catherine Opie,” The Pink Paper, September 22, 2000
Ellis, Samantha, “Last Chance,” Evening Standard, September 21, 2000, ill.
Kent, Sarah, ” Sex Symbols,” Time Out, September 6-13, 2000, ill.
_____, “Manipolazioni E Natura In Ritratti Americani,” MostreLondra, issue 39, August/September 2000
_____, ” American Dream,” Harvey Nichols Magazine, London, September 2000, ill. Smyth, Cherry, “Signage on the Body,” Diva, issue 52, September 2000, pp. 6-11, ill.
_____, “Catherine Opie Photographers’ Gallery, London,” Nova, September 2000 Freedman, Cheryl, “Catherine Opie,” What’s on in London, August 30, 2000, ill.
Cumming, Laura, “Putting the Pose Back into Pictures,” The Observer, August 28, 2000, ill.
Aidin, Rose, “Engendering Respect,” Evening Standard, August 21, 2000, ill.
Darwent, Charles, “American life laid bare in bodies and malls,” The Independent, August 20, 2000, ill.
Paterson, Elaine, “Photography,” Metro Life, August 9, 2000
Williams, Frances, “Photo Realism,” Time Out, August 9, 2000, ill.
Davies, Sophie, “Alt Culture,” Time Out, London, August 9, 2000, ill.
_____, ” Twister Sister,” Footloose, August 9, 2000
_____, “From Tomorrow,” Evening Standard, August 8, 2000, ill.
_____, ” What a Picture!” Girl About Town, London, August 7, 2000, ill.
Lawson, Debbie, “Altered States of America,” The Observer Magazine, August 6, 2000, p. 8 ill. Chapman, Peter, “Altered States of America,” The Independent, August 5, 2000, ill.
Sumpter, Helen, “Choice,” Hot Tickets, August 4-10, 2000, pp. 38
Charles, Marissa, “Altered Egos-American Style,” West End Extra, August 4, 2000, p. 15, ill.
_____, ” What if God is a Women?” Aura Magazine, August 2000, pp. 44.
Pinsent, Richard, “Altered States,” The Art Newspaper, August 2000, pp. 25
_____, “The Architecture of Gender,” Axiom, London, August 2000 JRT, “Catherine Opie,” The Saturday Times, London, August 2000, p.41, ill.
_____, “Twisted Sister,” Sainsbury’s Magazine, August 2000, ill.
“Catherine Opie,” ZOO, Issue 6, August, 2000, p. 336, ills.
Rosenfeld, Kathryn, “Catherine Opie,” New/Art Examiner, July/August, p.36, ill.
_____, “Photographs For Grown Ups,” Living Abroad Magazine,London, July 31, 2000, ill.
_____, “Gender Bender,” Axiom, London, July 28, 2000 pp.18 , ill.pp. 43, ill.
Taylor, David, “Out There,” Hot Tickets, July 4-10, 2000, p. 5, ill.
Leffingwell, Edward, “Catherine Opie at Gorney Bravin + Lee,” Art in America, July,2000, p. 105, ill.
Israel, Nico, “Catherine Opie at Gorney Bravin + Lee,” Artforum, Summer, 2000, p. 183,ill.
Schwendener, Martha, “Catherine Opie, ‘Large-Format Polaroids’,” Time Out New York, June 8-15, 2000, ill.
Coleman, Jonathon, “Taking Pictures in the Belly of the World’s Largest Camera,”The New Yorker, June 5, 2000
_____, “Sponsorship Opportunity at The Photographers’ Gallery,” Focus, May 2000, ill.
“Familiy Affair: Renowned photographer Catherine Opie goes on the road to document
lesbian families where they live,” The Advocate, April 30, 2000, pp. 114 – 117, ills.
Aletti, Vince, “American Women,” Village Voice, April 18, 2000, p. 69
“‘Culture Shock,’Review: Catherine Opie ‘Domestic’ at Gorney Bravin & Lee,” Washington Square News, April 14 – 16, 2000, p. 38 ,
“On View Homebodies,” New York Magazine, April 10, 2000, p. 111, ill.
Cotter, Holland, “Catherine Opie: Domestic” The New York Times, April 7, 2000, p. B38 ,
“Catherine Opie,” Village Voice, March 29 – April 4, 2000, p.83
1999  
Gockel, Cornelia, “Kunst aus Kalifornien,” Suddeutsche Zeitung, December 13, 1999, p. 38, ill.
Marriner, Robin, “LA Revisited,” Contemporary Visual Arts, Issue, 25, pp. 22-27, ills. , “The Modernist Document” Hour, October 7, 1999, p. 34, ill.
Otten, Liam, “Catherine Opie, photographer and Freund Fellow, to speak,” Record: Washington University in St. Louis, September 30, 1999, p. 5, ill.
Thomas, Mary, “Russian artist builds a dialogue and a photographer opens our eyes,” Pittsburgh Post-Gazzette, September 4, 1999, p. B11, ills.
Schurenberg, Von Barbara, “Frohlich, hygienische, und keimfrei,” Die Welt, May 21, 1999, p. 12, ill.
Cotter, Holland, “Through Women’s Eyes Finally,” New York Times Magazine, May 16, 1999, pp. 92-96, ill.
Vincent, Steven, “Impact Players,” Art & Auction, May 15, 1999, pp. 75-81
Picker, Deborah, “Tall Tales: Catherine Opie looks in on lesbian domesticity,” LA Weekly,
May 14-20, 1999, p. 35, ill.
Herbert, Martin, “Drive-by,” Time Out London, May 12-19, 1999, ill.
Darwent, Charles, “Vacant & proud of it,” The Independent on Sunday,
May 9, 1999, p. S5, ill.
Beech, David, “Drive By,” Art Monthly, May, 1999, pp. 31-31, ill.
Searle, Adrian, “Life thru a Lens,” The Guardian, May 4, 1999, p. 12, ill.
Fulcher, Dawn, “Drive-by: New Art from LA,” Contemporary Visual Arts, Issue 22, p. 86, ill.
Pagel, David, “A New View of Life on the Home Front,” Los Angeles Times, April 23, 1999, p.F28, ill.
Rowlands, Penelope, “Previews: Catherine Opie,” Art & Auction, April 15, 1999,p. 75, ill.
Rawsthorn, Alice, “L.A. Story,” British Vogue, April, 1999, pp. 79-82, ills.
Sante, Luc, “It’s Alive: Release,” Metropolis, April, 1999, pp. 88-93, ills.
Aletti, Vince, “Lesbian Domestics,” Out, April, 1999, pp. 16, 32-33, ills.
1998  
Zeiger, Mimi, “Casualfornia/ Catherine Opie,”Loud Paper, volume 2, issue 3, pp. 14-17, ills., cover
Yablonsky, Linda “Berlin Sprawl” Time Out New York , November 5-12, p. 74
Pinto, Antonip Cerveira, “A Suspensao da Utopia,” A Semana, Portugal, October 9, Exposicoes,p.11, ill.
Faria, Oscar, “Dialogo Entre o Ceu e o Inferno,” Publico, Portugal, October 9, Artes & Ocios, p. 19,ill.
Rian, Jeff, “Sunshine & Noir and L.A. Times,” Flash Art, October, pp.61, 67, ill.
Ollman, Leah, “A Multi-Sided Look at ‘Lone Woman’,” The Los Angeles Times,
October 2, F29
“Catherine Opie,” BT Magazine, September, pp. 56-57, 85, ill.
Muchnic, Suzanne, “L.A. Story,” ARTnews, September, 1998, pp. 150-153, ills.
Rickels, Laurence A., “Already Given at the Office: On Techno Feminism,” Parallax, Issue 5,September
Zimmer, William, “Landscape, the Site, The Meaning of Place,” The New York Times,August 9, p.12 CT
Ise, Claudine, “‘Babes’ Aims to Demystify Expectations of Women,” The Los Angeles Times, July 24, p. F 33
“Current exhibition: Sunshine & Noir: Art in L.A. 1960-1997,” UCLA at the Armand
Hammer Museum of Art and Cultural Center Cultural Programs Calendar, Fall, ill.
Muchnic, Suzanne, “Acquisition and Merger,” Artnews, Summer, p. 74
Allen, Rachel, “Lesbian Domesticity: An Interview with Catherine Opie,” Los Angeles
Forum for Architecture & Urban Design Newsletter, Late Spring, p. 2-3, ill.
Zellen, Jody, “Catherine Opie,” Art Papers, May-June, p. 31, ill.
Byrd, Cathy, “’90s to the Nines,” Art Papers, May-June, p. 12, ill.
“Art: Catherine Opie,” Village Voice, April 21
Schmerler, Sarah, “Catherine Opie, ‘Mini-malls’,” Time Out New York, April 16-23,
Issue no. 134, p. 48, ill.
Nittve, Lars, “Kunst in L.A.,” Merian, April, pp. 30-37, ill.
Glueck, Grace, “Catherine Opie: Mini malls,” The New York Times, April 3, 1998,p.B33
Kaltenecker, Siegfried, “Schwindelnde Manner?,” Springerin, March-May, pp. 46-7, ill
Hagoort, Erik, “Catherine Opie geeft homo’s waardig portret,” de Volkskrant, Zaterdag, February 21, p. 11, ill.
Verkerk, Corrie, “Gay Games meer dan spierkracht,” Het Parool, Dongerdag, February 19, pp. 1 & 4, ill.
Myers, Terry R., “Catherine Opie,” On Paper, January-February, pp. 41-42, ill.
“Deceits and Fantasies: The Garden in Contemporary Photography,” The American Federation of Arts: Exhibitions Program 1998, p. 39
“American Vernacular: Selections from the Permanent Collection,” The Contemporary,Spring, p. 3
1997    
Bonazzi, Francesco, “Trash,” Juliet, Trieste, Italy, December/January 1998
Gragg, Randy, “A letter from L.A.,” Sunday Oregonian, December 21, pp. 1 & 8, ill.
“Szene Los Angeles: Catherine Opie,” Art das Kunstmagazin, December, p. 36, ill.
Newman, Joe, “Hitting the High Roads: Catherine Opie,” Photo District News, December,p. 177, ill.
Nilsson, Hakan, “Art Review: Sunshine and Noir, Louisiana, Humlebaek, Denmark”,Flash Art, November/December, p. 74
Pioselli, Alessandra, “Trash: Quando I Rifiuti Diventano Arte,” Segno, Pescara, Italy,November/December
“Artworld: Awards”, Art in America, November, p. 144
Helfand, Glen, “Of heaven and earth: Shows by Robert Gober and Catherine Opie,”Bay Area Reporter, October 23, p. 45 & 54, ill.
Gottschalk, Karl-Peter, “Catherine Opie: Masterful”, blue, October, p. 6, ill.
Knight, Christopher, “Art review: Catherine Opie”, Los Angeles Times, pp. 49-50, ill.
Lewis, Judith, “Concrete Love: Photographer Catherine Opie Brings L.A. to MoCA,” LA Weekly,October 3-9, 1997,pp. 22-27, ill.
Larsen, Larrs Bang, “Sunshine & Noir: Art in LA 1960-1997,” Frieze, September/October, p. 93 “Wizards, Wonders, and Wonks,” color illustrations photographed by Catherine Opie,
The New York Times Magazine, September 28, 1997.
“Catherine Opie: Focus Series Exhibition”, The Contemporary, Museum of Contemporary Art,Los Angeles, Fall, p. 11, ill.
Knight, Christopher, “Itinerary Fall Follies: Art,” Los Angeles Times, September 4
Nadotti, Maria, “E al posto del pennello spunto la spazzatura Viaggio nel tempo,all’alba del ‘trash’,” L’Unita, Rome, Italy, September 2
Vergine, Lea, “Trash: Noi gettiamo via le nostre tracce,k l’arte ne suggerisce il destino,” Vernissage, Torino, Italy, September
“Trash,” Rifiuti Solidi, Milan, Italy, July/August, p. 216
Huici, Fernando, “Delicias Del Microondas,” El Pais (Madrid), 12 July, 1997.
Nomblot, Javier Rubio, “Cruising L.A.: El Mundo Fuera De La Burbuja,” El Punto De Las Artes (Madrid), 4-17 July, 1997.
Parreno, Jose Maria, “Los Angeles, Punto De Encuentro,” ABC (Madrid), 4 July, 1997.
Mora, M., “El Arte Crudo De Seis ‘Chicos Malos’ de Los Angeles Se Muestra En Madrid,” El Pais (Madrid), 1 July, 1997.